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...personal computers. Typical was Mitch Kapor, a former transcendental-meditation teacher, who gave us the spreadsheet program Lotus 1-2-3, which ensured the success of IBM's Apple-imitating PC. Like most computer pioneers, Kapor is still active. His Electronic Frontier Foundation, which he co- founded with a lyricist for the Grateful Dead, lobbies successfully in Washington for civil rights in cyberspace. In the years since Levy's book, a fourth generation of revolutionaries has come to power. Still abiding by the Hacker Ethic, these tens of thousands of netheads have created myriad computer bulletin boards and a nonhierarchical...

Author: /time Magazine | Title: WE OWE IT ALL TO THE HIPPIES | 3/1/1995 | See Source »

Vedder, the group's lyricist, continues to improve as a songwriter. "Don't need a hand," he declares on Whipping, slyly adding, "There's always arms attached." His most troubling fault is that he tries to build a sense of community among his fans by shutting others out. On Not for You he declares that his music isn't for all people, just the right people, his kind of people: "Small my table/ Sits just two ... this is not for you/ Never was for you." As it is, the world is already full of too many people who want...

Author: /time Magazine | Title: MUSIC: Scathing Guitars, Pretty Tunes | 12/19/1994 | See Source »

...more obvious message of the new Carol is that it's big and pretty -- holiday candy for the whole family at $19 to $55 a ticket. It was confected by Broadway's top talent, including set designer Tony Walton, costume designer William Ivey Long, choreographer Susan Stroman and lyricist Lynn Ahrens. Some are working at half speed. Menken's melodies are less inventive than his scores for the Disney cartoons The Little Mermaid and Beauty and the Beast. He gets a B+ for hummable ballads and ho-humbuggable comic turns. Stroman's jazziest ideas are reprises of her dancing...

Author: /time Magazine | Title: I Like New York in Yule | 12/12/1994 | See Source »

...advice less likely to influence Streisand. Even those who find her a maddening perfectionist admit that few performers work harder. A musician who played in her Las Vegas show logged in 60 hours of orchestra rehearsal time, and says Streisand, unlike most singers, was present for almost every minute. Lyricist Marilyn Bergman, who with her partner and husband Alan helped write the script for Streisand's stage show, scoffs at her reputation as a difficult diva. "Barbra never says, 'That's good enough.' People who don't understand or appreciate this process might find it threatening or tiresome...

Author: /time Magazine | Title: SHOW BUSINESS: Barbra Streisand: The Way She Is | 5/16/1994 | See Source »

...back." This moronic blunting of the relationship between the two (in the original movie, Benjy's deceased father is mentioned exactly once) is introduced in a hackneyed song called "Larger then Life." This number is unfortunately typical in its irritating soliloquy style. As written by composer Stephen Flaherty and lyricist Lynn Ahrens the songs don't just pause the action, they bring it to a screeching halt...

Author: By Lori E. Smith, | Title: My Favorite Plays Well, Despite Flaws | 4/28/1994 | See Source »

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