Word: lyricists
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Under the polished surface of his pop-star persona, Sting is a hopeless romantic, obsessed with the gritty, contradictory textures of human emotion. During the early 1980s, as the lead singer and lyricist for the Police, the brooding bassist used his poetic gifts to dredge up the debris of his own psyche -- and sell millions of records. After going solo in 1985, he injected jazz and politics into the polyrhythmic mix, but his worldly concerns never strayed far from the ardent diplomacy of love...
Lapine recalled that William Finn, composer and lyricist for the Falsettos series, "tracked me down to direct March of the Falsettos. I [went on to] co-author and direct the third play in the Marvin trilogy, Falsettoland, and Falsettos, the Broadway production which combines the last two of the trilogy...
...Howard Ashman, Alan Menken and Tim Rice, whose melodious gifts give the story comedic ambiance. Ashman and Menken were the musical team behind past animated hits The Little Mermaid and Beauty and the Beast, for which they won two Oscars, two Golden Globes and two Grammys. Tony Award winning lyricist Tim Rice collaborates with Alan Menken on three of the songs...
...most rousing and moving musical to reach the West End since Miss Saigon -- is Kiss of the Spider Woman, which retells the story of Manuel Puig's novel and the noted film. The new version comes from a North American cast and creators, headed by composer John Kander, lyricist Fred Ebb and director Harold Prince -- the makers of Cabaret, which Kiss often recalls in its silvery visual shimmer, sexual ambiguity, bursts of surreality and blend of grim politics and show-biz glitter. But unlike Cabaret, which used a Berlin nightclub for satiric comment on the rise of the Nazis, Kiss...
...social insurrection of homosexuality (Brent Carver). This musical must be among the first to feature torture, mutilation and threats of anal rape and is surely the first to portray one character washing another after a bout of diarrhea. Book writer Terrence McNally and nonpareil lyricist Ebb make the points, not always beloved of the Marxist left represented by the revolutionary, that there is no political freedom without sexual freedom and that love outdoes ideology at breeding bravery...