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Word: lyricize (lookup in dictionary) (lookup stats)
Dates: during 1980-1989
Sort By: most recent first (reverse)


Usage:

...TURNER'S COME AND GONE. Director Claude Purdy's backyard realism suits August Wilson's lyric text, at the Los Angeles Theater Center...

Author: /time Magazine | Title: Critics' Choice: Apr. 24, 1989 | 4/24/1989 | See Source »

...TURNER'S COME AND GONE. Director Claude Purdy's backyard realism suits August Wilson's lyric text, at the Los Angeles Theater Center...

Author: /time Magazine | Title: Critics' Choice: Apr. 17, 1989 | 4/17/1989 | See Source »

This is no small triumph, considering the sorry history of repression exercised by Goskino, the state censorship board. For any reason or none, Goskino could cut a scene, ban a film, put a director out of work or put him in jail. Sergei Paradjanov, a lyric poet in the Dovzhenko mold, spent nearly four years in prison. Andrei Tarkovsky, the greatest Soviet director since Eisenstein, filmed Andrei Rublev in 1966; the complete version was not shown publicly in the U.S.S.R. until 1987, just after Tarkovsky died in exile. Alexander Askoldov's The Commissar, filmed in 1967, was accused of "Zionist...

Author: /time Magazine | Title: Cinema: Censors' Day Off | 4/10/1989 | See Source »

Although every XTC album contains its fair share of love songs, the group seems to have gotten a little sappier and a little more conventional on Oranges and Lemons. "The Mayor of Simpleton'"s lyric silliness ("I can't have been there when brains were handed 'round or get past the cover of your books profound") is somewhat offset by Partridge's fast-paced vocals, but with its bouncy rhythms and annoying chimes, it's still more of a junior high dance song than the XTC we know and love. Ironically, although "Mayor" proclaims, "Well I don't know...

Author: By Kelly A. Matthews, | Title: XTC Makes a Comeback | 3/10/1989 | See Source »

...casual exaltation ex rock cathedra. They cook up a new song for the great bluesman B.B. King, When Love Comes to Town, and kick out the jams together. They corral Dylan into playing Hammond organ on an extraordinary new tune, Hawkmoon 269, and press him into harmony-singing and lyric-writing service on Love Rescue Me, a high point not only for the band but also for their informal spiritual adviser. The Edge, the band's wizard guitar player, contributes a lilting, spooky piece of folk inspiration, Van Diemen's Land, and the whole group works out at Sun Studios...

Author: /time Magazine | Title: Music: U2 Explores America | 11/21/1988 | See Source »

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