Word: lyricized
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Dates: during 1920-1929
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...following program will be presented tonight at the "Pops" concert at 8.15 o'clock in Symphony Hall. Stars and Stripes Forever. Sous Overture, II Guarany", Gomez Waltz, "Artists' Life". Strauss Fantasia, "Lohengrin", Wagner Lyric Suite. a. Shepherd's Boy Grieg b.March of the Dwarfs Elli, Elli, Arranged by Agido Jacchia (Trumpet solo--Georges Mager) Largo. Handel (Solo violin, harp, organ and strings) Second Hungarian Rhapsody, Liszt Introduction to "Othello" (The Tempest) Verdi Hindu Song. Rimsky-Korsakov Marche Slave, Tschaikovsky
This may have been due in some part to the absence of any clever or melodious songs. Several new ones were introduced, and in a sufficiently original way, but they had neither the catchiness nor the lyric qualities of the old favorites. It is noteworthy, too, that the only really musical scene was founded on "In the Spring a Young Man's Fancy...
Many individual lines are alive with magic; through them all, however personal, however subjective, there breathes a low, universal voice that makes them, each and every one, yours or mine. The last lyric is one of the loneliest poems I know. Loveliest of all, however, is No. V, which I quote entire...
...Sargent Prize of $100 donated annually in memory of John Osborne Sargent '30 for the best metrical translation of a lyric poem of Horace has recently been announced...
...Kochanski was enthusiastically received. His tone, while light, was charmingly lyric, and the rapid and laborious succession of double-stopped chords showed what a fine master of technique he is. Why he should have chosen the Bruch Fantasy to play, we cannot imagine. It is far too long, and the accompaniment is so heavy that it completely drowns out the violin on many occasions. There is little evidence of any Scottish characteristics except when the folk tunes themselves appear. At times we are reminded of an inferir "Rheingold". The work, however, has always been a favorite with violinists...