Word: lyricized
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Dates: during 1940-1949
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...lipstick and nail polish called "Ultra Violet," put out by Manhattan's Revlon Products Corp. It had also been worrying over the same sort of thing for Columbia Recording Corp.'s Dinah Shore. Then several of its geniuses remembered the old song. It was a natch. Lyric writers changed the first line to 'Who will buy my ultra violets?" and substituted "fall" for "spring." Dinah Shore recorded it. Admen hastily readied a $100,000 campaign for Dinah which mentioned Revlon and a $500,000 campaign for Revlon which mentioned Dinah. Copywriters rose to inspired heights: 'Words...
...minutes' extra thought on the choice of a word, or the position of a stress, may make in the lyric a difference of a thousand years...
...since the Decca New Orleans album. For some unknown reason, however, although Satchelmouth's vocal cords seemed to be in the best of form, the record doesn't register. Arrangers of all-star recording sessions encounter innumerable difficulties, especially when they use original tunes. This time the synthetically blue lyric and melody of Mr. Feather's just weren't enough of a catalyst for King Louie. The other side, featuring the Armstrong trumpet, is a little better although the arrangement and the theme with which Mr. Feather saw fit to provide the musicians would have been more in place...
...Housman, late master of the bittersweet lyric, got a further unveiling as a comic poet by Brother Laurence in The Atlantic. Fragment out of A. E.'s boyhood, quoted by Laurence from memory...
...youth as a Greek Orthodox seminarist and, later, a revolutionary political organizer and jailbird, suffers from lack of documentation. Trotsky scrupulously indicates the variegated reliability of his scanty sources, most of them boy hood friends and later enemies of Stalin, whose comments suggest William Wordsworth's definition of lyric poetry: strong emotion recollected in tranquillity (usually in jail or exile). He also makes devastating use of the official encomiums* written (usually in fear of jail or exile) after Stalin became powerful. The happy paucity of source materials enables Trotsky to draw the same kind of brilliant character surmises, inferences...