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Word: lyricized (lookup in dictionary) (lookup stats)
Dates: during 1950-1959
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Usage:

...Milton Academy where we were preparing for Harvard . . . Our collaboration in college came about by accident. I was banging out a melody at the piano, one afternoon, when Sherwood dropped in. He listened for a few minutes and I turned to him and said, "All I need is a lyric." Without so much as a flicker, he grabbed some paper and began drafting the rhythm on which to base his lines. I have heard of rapid composers but I doubt if any other American lyricist could equal the speed of Sherwood, or, for that matter, could compose finer poems...

Author: By Samuel P. Sears, | Title: Sherwood: Memories Of His College Days | 2/10/1956 | See Source »

...Born the same year as Shakespeare (1564), Marlowe managed, in a short life, to write some fine lyric poetry ("Come live with me and be my love"), a long narrative poem (Hero and Leander), and four superb poetic dramas: Tamburlaine, Doctor Faustus, The Jew of Malta and Edward II. A militant atheist, in flight from arrest, he was killed at 29 during a drunken brawl in a riverside tavern near London, probably a political victim of Queen Elizabeth's Secret Service...

Author: /time Magazine | Title: The Theater: Old Plays in Manhattan, Jan. 30, 1956 | 1/30/1956 | See Source »

...face and accept each other as truly human. This produces what Buber calls a dialogue-a fusion of action and response, of choosing and being chosen-that engages man's highest qualities. But I-It relationships are necessary for the everyday world. For I-Thou meetings are "strange, lyric and dramatic episodes, seductive and magical, but tearing us away to dangerous extremes, loosening the well-tried context . . . shattering security." Therefore, says Buber, modern man tries to escape from I-Thou in many ways, notably through collectivism, which Buber calls "the last barrier raised by man against a meeting with...

Author: /time Magazine | Title: Religion: I & Thou | 1/23/1956 | See Source »

...until 1943 that Burchfield began to find his way home again. One day, while mounting work from his Ohio days, Burchfield suddenly decided to use his early sketches as a starting point, expand them in his old lyric style. The attempt, he wrote, released "a long-pent-up subconscious yearning to do fanciful things, and once started, it seemed to sweep onward like a flooded stream; there was no stopping it." An example of Burchfield's new-found freedom is Summer Afternoon (opposite), started as a sketch in 1917 and completed as a watercolor in 1948. The finished scene...

Author: /time Magazine | Title: Art from Nature | 1/23/1956 | See Source »

...childlike. In a few broad strokes he paints a head that looks like it comes from a 5th grade drawing board. His naivite and simplicity extend even to his use of color, which rarely deviates from the grade school palette of primary tones. Yet both his lyric feeling for color and innocent flow of form take on masterful surety through discipline and technique...

Author: By Lowell J. Rubin, | Title: Joan Miro | 1/11/1956 | See Source »

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