Word: lyricized
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Dates: during 1950-1959
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Henry's jigger is his beautiful wife Katy. To John Rivers, a slightly priggish minister's son and a sexual teetotaler at 28, Katy is a lyric goddess, distant and holy as Dante's Beatrice. When a siege of illness puts Henry in an oxygen tent, John's Platonic devotion is rudely shattered. A shivering, sleepless Kate finds her way to his bed one night and stays there...
...prove the esoteric leanings of Advocate contributors, for three of the poems have works of art as their subjects. Jennifer MacLeish (no relation) is the most successful, possibly because her poem about the mystic love of St. Francis is simple in conception, which allows a great deal of lyric beauty. Her rhythm comes in soft waves, like the gliding of the proverbial spiritual dove, and she implements it by her visual construction, which gives the impression of ascension. While Derry Griscom's more complex poem about the sculpted figure of a Chinese warlord develops several ideas successfully, he adds...
Humphrey J. Fisher '55 has been awarded the John Osborne Sergeant prize for the best metrical transmissions of a lyric poem of Korea. The announcement of the $200 award was made by Sergent Kennedy '25, secretary of the faculty of Arts and Sciences...
...first number in the show which I thought had any merit at all turned out to be the best of the evening. Clare Scott sings a song called "Mogambo Rag"--musically, lyric--and performance wise a perfect revue number. Miss Scott's abilities have been extolled before, and she has only gained in charm and attractivness since her appearance in School for Scandal. To my mind she was the spark which the whole show needed, and every sketch she appeared in was better for it. Had anyone else done "Mogambo Rag" it might have seemed disgusting; from Miss Scott...
...second and no less difficult barrier concerns lyrics. I first noticed the trend toward obscurity a number of years ago when Frank Sinatra sand a lyric of which the third verse consisted entirely of "ali-dabi doopy da pha. Oh! fee dee de bah bippidy Oh!" The song, as I remember, was called "An Old Stone House," which seemed to offer no satisfactory clue to the interpretation of the lyric. Although my work and ultimate understanding of this verse makes a fascinating story, I would rather take a contemporary and somewhat easier example...