Search Details

Word: lyricized (lookup in dictionary) (lookup stats)
Dates: during 1950-1959
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Usage:

...named Dai Bread, the trollop is Polly Garter. Many characters then become only undistinguished white keys upon which Thomas plays his song of humanity. And Captain Cat, though one of the three narrators and Thomas' central figure, is seldom more than a vacuum tube to broadcast the author's lyric commentary to his listeners. With characters like Mr. and Mrs. Cherry Owen or the fussy Widow Ogmore-Pritchard ("Before you let the sun in, mind it wipes its shoes"), Thomas allows more individuality and they reciprocate by adding the lusty strength and humor which make the play memorable...

Author: By Arthur J. Langguth, | Title: A Humane Comedy | 4/29/1954 | See Source »

...crowd through horn-rimmed glasses, and launched into what Variety called "a comedy of terrors." He would, he said, sing an "ancient Irish ballad, written a few years ago." He turned to the keys, drummed out a melancholy accompaniment, and in a sardonic voice began to sing. Sample lyric...

Author: /time Magazine | Title: Music: Time Out from Thinking | 1/4/1954 | See Source »

...sentimental possibilities of Dad.* Last month, nonetheless, Victor picked up a sugary little number called Oh! My Papa, which had been written for a Swiss musical comedy, and gave it to Crooner Eddie Fisher. For good measure it threw in a lush accompaniment, including a gaudy trumpet obbligato. Sample lyric...

Author: /time Magazine | Title: Music: New Pop Records, Jan. 4, 1954 | 1/4/1954 | See Source »

Once the curtain was up, he was the old assured Lennie:' he bounced athletically, contorted his features in the" dramatic passages, let his face relax to an expression of drugged bliss in the lyric ones. He sang to himself and punctuated the more stirring moments with hoarse growls...

Author: /time Magazine | Title: Music: Lennie at La Scala | 12/21/1953 | See Source »

...lyric poetry of William Yeats presents insurmountable problems to the actor who has not been nurtured on the delicate shadings of verse drama. Faced with elusive changes in meter and rhythm and the even more perplexing mysticism of the Irish folk talc, players often slip into over-emphasis that destroys the delicate blending of intensity and subtlety intended by Yeats...

Author: By Richard H. Ullman, | Title: Two Plays by Yeats | 12/12/1953 | See Source »

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