Word: lyricized
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Dates: during 1950-1959
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...parts, however, seemed not such a bad idea, since Saramae Endich and Florence Kopleff turned out to be not in the same league as Adele Addison and Martha Lipton, who often appear with the B.S.O. The other soloists, however, performed excellently. As the Evangelist, Hughes Cuenod stood out, his lyric tenor voice reaching every corner of Symphony Hall, although he began to tire in part two. Mack Harrell sang Jesus with great expressiveness; the most tender moment of the whole afternoon as it should have been, was his "Eli, Eli, lama sabachthani...
...write-up in next year's catalog states, "the course will progress from an investigation of pure drama to an investigation of the uses of drama in lyric poetry, opera, the novel, the motion picture, and television...
Juno (book by Joseph Stein, music and lyrics by Marc Blitzstein, dances by Agnes de Mille) is a Pyrrhic victory of Broadway talent over an Irish genius. This musical version of Sean O'Casey's Juno and the Paycock paradoxically mutes O'Casey's inner music with song, fetters his soaring spirit with dance, and deflects the lyric flow of his dialogue into prosy pools of talk...
...horn-rimmed glasses and a grey-flecked crew-cut walks up to the bar and acts like the squarest square from Endsville. He orders milk. But from the Red Garter to the Purple Onion, not an eyebrow lifts. Everyone knows that on matters that count-a beat and a lyric-Columnist Ralph Gleason. 42, has a taste so cool that he turns out much of the solid reporting and comment on the convoluted world of jazz...
...play The Human Voice (1930) returned last week in a fine musical version by French Composer Francis (Dialogues of the Carmelites) Poulenc. Staged in Milan's La Piccola Scala, with shimmering Soprano Denise Duval as the distraught mistress, Poulenc's opera lifted the play again to the lyric tragedy that Cocteau intended: "The worst tragedy that can happen to us all-love and abandon...