Word: lyricized
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Dates: during 1970-1979
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...never what it is not. It is an epic; but unlike the heroes of Verdi or Wagner, Napoleon and Kutuzov never meet face to face, nor do we ever see Andrei suffer his fatal wound, nor can Natasha save him. But although War and Peace is no lyric drama, Prokofiev is capable of remarkably delicate touches, like the soft rasping of strings that evoke the delirium of Andrei's death scene...
Among several casts, the singing of Bari tone Mazurok (Onegin) and Tenor Vla dimir Atlantov (Lensky) is solidly sono rous, and as Tatiana, Tamara Milashki-na sings with a full lyric voice that is gratifyingly free of the shrill vibrato heard from so many Russian sopranos...
...olde lyric courtyard," as sportswriter Peter Gammons calls it, is the most beautiful patch of baseball turf in America. Small, old, eccentric, and a deep shade of natural green, it has escaped--with a few other holdouts like Chicago's Wrigley Field--the lunar module theory of the modern stadium: the physical analog to the wide franchises and slick operations of the new corporate baseball. This is a neighborhood park--no gargantuan concrete egg laid in the center of a vast parkingscape, slabs for seats, plastic astrograss, and conveniently adjacent to the suburban expressway. No, Fenway is rickety and ripe...
Literal descriptions and interpretations make many novels sound better than they are. With Ragtime, just the opposite is true. Its lyric tone, fluid structure and vigorous rhythms give it a musical quality that explanation mutes. In Doctorow's hands, the nation's secular fall from grace is no catalogue of sin. no mere tour de force; the novelist has managed to seize the strands of actuality and transform them into a fabulous tale...
...music itself, and that's a lot to say. It's like erasing five or six years of my life, and here I am as if nothing had happened." There is something as innocent and touching in that statement as there is in a good pop lyric. Even if, in the frenetic pop world, Elton John is never able fully to establish his ties between present and past, his effort creates another point of contact between artist and audience. Or, as he and Bernie Taupin put it at the end of Captain Fantastic...