Word: lyricized
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...agree that William Pritchard's book on Robert Frost [BOOKS, Nov. 12] succeeds in restoring a positive, plausible view of the man who gave us great narrative and lyric poetry. But as Frost's granddaughter, I must protest the reviewer's harsh tone in depicting my grandfather's handling of family tragedies like his son's suicide. Your review resurrects Lawrence Thompson's literal-minded pseudopsy-choanalysis that I thought the Pritchard biography had laid to rest...
...lyric best, Williams gave us the powerful tension and drama of Cat on a Hot Tin Roof (1955). In Vieux Carre, written more than 20 years later, it has become more difficult for the author to rise above melodrama. And while we've certainly come to expect the simplistic repetition of the themes, there still is a limit to how much we can stomach of lines like, "People die of loneliness ...loneliness is so thick in this house, you can feel it,' and "There's no defense against the truth...
Since the death of Wolfgang Windgassen in 1974, Wagnerites have bewailed the dearth of stalwart voices to tackle parts like Lohengrin, Tristan and Siegfried. Although he has said that he would some day like to sing Parsifal and perhaps Tristan, Domingo's natural territory is the lyric roles of Italian and French opera. It is too much to expect him to become a true Heldentenor: he lacks the sheer force to surge over Wagner's complex orchestral writing, his German diction is heavily Latinized, and his phrasing belongs to the Mediterranean, not the Teutonic, school...
...gloriously fearsome opponent as the evil sorceress. Her blazing fury as she confronts her weak husband Telramund (Baritone Franz-Ferdinand Nentwig) near the start of Act II won a spontaneous ovation that stopped the show. Providing a worthy foil for Marton's villainy was Tomowa-Sintow, a lyric soprano with a pure, unforced voice that improved after a somewhat shaky first act; her fateful exchange with Ortrud in the second act's balcony scene evoked the stark contrast of light and dark that Wagner wanted. Alas, Elsa is not the most dramatically complex of Wagner's heroines...
...lyric, of his songs, he explains, will advance his radical geopolitical theory, by which all countries will voluntarily join the United States. His theory was published last year in The Washington Times, the newspaper owned by Sun Myung Moon's Unification Church...