Word: lyricized
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...draw from experience, Lerche takes the elements that worked best from his previous albums and brings them together; the record blends in remarkably well with the fabric of his career. Even first listeners of Sondre Lerche will find that there’s something immediately recognizable about him; his lyrical simplicity and warm vocals provide an inviting quality. This may draw criticism for lack of innovation, but as in the best pop music, catchy melodies and lush harmonies are always rewarding. What makes Sondre Lerche’s work—including “Heartbeat Radio?...
...Uncharacteristically naked (her voice alone, not double- or triple-tracked) for a few syllables, Ford reprises the first chorus, giving each word double value, again asserting the lyric's wistfulness before revving for the finale. Her voice ascends - "How! High! The! Moon!" - and Les' guitar descends, ending as he began, with the rock riff and adding a puckish triple grace note. He and Ford get in and out of this 21-track mini-masterpiece in a breathless two minutes and four seconds...
...cover up the sound of Eminem's weariness. Titles like "Same Song & Dance" and "Old Time's Sake" give away the game, as does the quality of the wordplay, which is far more blunt than manic. Eminem sounds like a man with a reputation to uphold, a lyric book to fill and a stack of Us Weekly magazines nearby. Things do not improve when he shifts to his other major theme, serial killers, and multiple references to Children of the Corn, Friday the 13th and The Silence of the Lambs reveal a man in desperate need of help with...
...suspicious of change. In the '60s, the Beatles made Liverpool the world's pop-cultural Mecca, yet Davies sees "John, Paul, George and Ringo: as "not so much a musical phenomenon, more like a firm of provincial solicitors." The smooth crooners of the previous decade quickly faded, "the witty lyric and the well-crafted love song seeming as antiquated as antimacassars or curling tongs." As an appraiser of public buildings he is no less a conservative than Prince Charles. Davies rails against the New Brutalism, a style that incarcerated generations of the English working-class in structures of almost defiant...
...when a book has no words—now that's a different story. And when a song has no words—well that's a book that FlyBy doesn't want to be reading. In our (hopelessly uncultured but humble) view, lyric-less selections are meant to be the stuff of symphonies, stoners, and stoners who occasionally listen to symphonies. This was Yardfest, not some crappy Woodstock do-over with a tire swing, bad corndogs, and a lot less acid. This was CEB-certified. This was supposed...