Word: lyricized
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...Fanboys will no doubt note that “Death Magnetic” is Metallica’s first collaboration with Rick Rubin, the legendary producer behind Slayer and System, among others; his influence lends the album its spare, deathly tint. But even as James Hetfield’s lyrics darken, the band continues to invent itself out of its songs’ subject matter. Although Hetfield vows to kill himself in “The Day That Never Comes” (“Love… is a four letter word / Here in this prison / I suffer this...
...looking kids, but they're as enthralled by the mechanics of power chords and three-part harmonies as the nerds in Weezer are. Burnin' Up, which opens with a steam kettle boiling over, never leaves the realm of goofiness but redeems itself with a flirtatious, ebullient hook and a lyric so innocent--"High heels/ Red dress/ All by yourself/ Gotta catch my breath!"--that you might even forgive them for letting their bodyguard lay down a rap verse in the middle. Lovebug floats on a gentle acoustic guitar line into a sweetly delivered chorus ("Now I'm speechless/ Over...
...town is an important government minister at the time of World War I. His cousin is a nun and natural scientist whose correspondence with a German bee expert arouses suspicions that she is a foreign agent. With this lovely bit of linkage, Malouf closes a remarkably original book: a lyric history that is also a national contra-epic...
...collision. The track is called Life in Technicolor, and what differentiates it from previous Coldplay attempts to lasso the cosmos (Speed of Sound, Clocks) is the details--or rather, the fact that there are details. Whereas before, the band would pound listeners into submission with giant chords and a lyric about space, here they let the songs' various parts resolve themselves, and there are no lyrics at all, just a single evocative group yawp...
...oohs and aahs, and he saves Lovers in Japan from his own clichs ("Lovers keep on the road you're on/ Runners until the race is run") just by opening up his throat and letting loose. On Strawberry Swing, Martin not only turns in a nice lyric ("People moving all the time/ Inside a perfectly straight line/ Don't you wanna just curve away?") but coos in a way that sounds like the perfect day he's describing, while Buckland plays a single guitar riff so softly and sweetly, you hardly notice when your feet leave the ground...