Word: lyricizing
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Dates: during 1970-1979
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Elton's beat constantly punctuates Taupin's lyrical line in arresting ways. There is a curious blend of sophistication and primitivism in Elton's assertive piano style that makes it an instantly recognizable musical signature-as unmistakable in its way as a Beach Boys harmony or Joe Cocker's sandpaper rasp. Elton's own voice is a supple instrument. He can growl like Mick Jagger or sing an insinuating lyric plaint. He writes for himselfnot surprisingly with supreme correctness, confidence, even elegance. To an unusual degree, he is the only...
...rescue referred to in that lyric occurred a couple of years before superstardom descended on Elton John, and the disaster he was saved from was marriage to a 6-ft. 2-in. girl named Linda. He had been smitten by her when she came to a Christmas Eve bash he was playing with the Baldry band. Terribly insecure then (and now) around women, he may have been encouraged to unwonted boldness by the fact that her escort on that occasion was a midget. In any event, by the following summer she was sharing a pad with Elton and Bernie. Elton...
Hint of Passion. At 25, Parsons was already a star of longhair country, who was stretching folk material across thudding rock rhythms. Emmylou had a gift for penetrating to the heart of a lyric. Parsons taught her to sing honky-tonk ballads like his Sin City, and soon invited her to Los Angeles to do back-up harmonies for his albums (GP and Grievous Angel). When Parsons died in 1973, she was personally and professionally devastated. "Gram turned me on to root country, to George Jones with his East Texas twang," she says. "I still try to learn Gram...
...nostalgic love for the fairy-tale side of romantic Imperial ballet. That fondness has produced masterpieces - The Nutcracker, for example - but it can also lead to muddled fables like L'Enfant et les Sortilèges (The Boy and the Sorceries). Described as a "lyric fantasy" and based on a story by Colette, L'Enfant is as much an operetta as a ballet. It requires a chorus, a quintet of singing narrators and a boy soprano. He plays a naughty child who escapes from his studies into a fantasy world of cavorting armchairs, dancing teapots, and a veritable...
Lyon writes all his music himself, and a few of his lyrics. Most of them, though are written by Tom McNamee, winner of the American Academy of Poets Younger Poet Price in 1969, who is now employed by Columbia Records. A typical McNamee lyric goes something like this: "I set my sleep in neatly ordered rows/She scatters dreams like the ashes of a diary page./I don't keep no records, don't look back./She comes she goes I don't keep track. /The floor is covered with her empty clothes./O my passion! O my rage!" Under McNamee...