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Word: lyricizing (lookup in dictionary) (lookup stats)
Dates: during 1970-1979
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Usage:

...bear to listen to myself," said Mabel Mercer on her 75th birthday. But every smart pop singer in the past 50 years has listened and learned from Mercer how to shape and pace a lyric. Her unique style of talking a song was developed to compensate for her failing soprano voice. Now, she says, "it's just a noise." Enough, however, to hold some 500 guests spellbound at her birthday party in Manhattan. Mabel's star pupil could not make the party, but he did not forget the singer who "taught me everything I know." Frank Sinatra sent...

Author: /time Magazine | Title: People, Feb. 17, 1975 | 2/17/1975 | See Source »

...infatuated Athenians make fools of themselves and try to murder one another, while jealous Oberon casts a spell on unfaithful Titania that leads her to bed down with an ass. With characteristic perversity, Shakespeare presented this demonic fantasy as an ode to nature, one of his loveliest flights of lyric poetry...

Author: /time Magazine | Title: The Theater: Gift of Tongues | 2/3/1975 | See Source »

...directed it and cut it, all with the same impenetrable seriousness that characterizes much of his music. It is easier to get away with recording your dreams and your fantasies on vinyl than on film. Songs are shorter, and a good melody can often get you safely across a lyric crag...

Author: /time Magazine | Title: Cinema: Stray Notes | 1/20/1975 | See Source »

...concept of short-order celebrity would have gone so far? TV now spits out stars faster than a kid's Fourth of July sparkler. "Everybody wants to get into the act," as Jimmy Durante used to say. But as George Santayana used to say, occasionally there is "a lyric cry in the midst of business...

Author: /time Magazine | Title: Books: Generation Cracks | 1/20/1975 | See Source »

Guest soloist Maureen Forrester gave a superbly dramatic performance of Mahler's "Songs of a Wayfarer," in an interpretation which emphasized the lyric, folk-song quality of Mahler's melodies. Her rich, sometimes deliberately harsh low register is a magnificent and constant surprise. The alternating sensuousness and despair which she brought to the fourth Song were suggestive of the lilting, tragic songs of Kurt Weil, which also have roots in German-Austrian folk melody. The orchestra--particularly its excellent wind section--gave her exceptionally sensitive support with clean, sharp attacks and supple phrasing. Forrester's spirited but somewhat less exciting...

Author: By Kathy Holub, | Title: HRO In A Grand Style | 11/13/1974 | See Source »

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