Word: lyricizing
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Dates: during 1970-1979
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...other is alchemistic. In retributive memory, the playwright squares accounts with the past, attempting to wrest present justice from past injustice. Arthur Miller's The Price is a perfect example. In alchemistic drama, the goal is to transmute the heavy base metals of the past into present lyric gold, as Tennessee Williams did in The Glass Menagerie. Generally speaking, the main thrust of retributive drama is moral, and that of alchemistic drama is aesthetic...
...seems to add something to the impact of a song like Fire and Rain to know that the lyric is really a mini-trilogy dealing with three bad times in the singer's life. Part I goes back to a moment of sadness?and a sense of failure?when he was making his first record in London in 1968. A girl he knew died at the time, but his friends did not tell him until the record was finished because they thought he was "too strung out" to handle the news...
...ourselves and our generation," Dr. Taylor explained recently. "We weren't going to use that cop-out of 'because the Bible tells you so.' " James' mother, Trudy Taylor, is the daughter of a Massachusetts fisherman and boat builder who before her marriage trained seriously as a lyric soprano. She had seen fondness for music so tormented by formal training that, though James, Livingston, Alex and Kate all took up various instruments (violin, cello, piano), they seldom took lessons for long. Mrs. Taylor did not go to church. Instead, she taught her children "to believe in people," and long before ecology...
...metaphor for reality, a part of the new open-road mystique-and that they refer to travelers who take planes as "plastic people." In the last year, references to Greyhound or bus have bounced up in several popular songs, notably the country music hit Thank God and Greyhound. Sample lyric...
...Tenor Placido Domingo, who not only looks at his heroines but seems to like them as well. Tall, dark and Teddy-bear handsome, Domingo at 29 is virile evidence that believability and passion are not necessarily inconsistent with operatic love. He has the sweetest and one of the biggest lyric-dramatic tenor voices on the operatic stage, and he phrases his serenades with a taste and elegance unmatched since the days of Jussi Bjorling. As an actor, he is manly, confident and capable of the kind of tender gestures that can thrill girls on both sides of the footlights. Four...