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Word: lyricizing (lookup in dictionary) (lookup stats)
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Buried somewhere in the left speaker of the Velvet Underground's "The Murder Mystery," Lou Reed speaks "with words nearly singed." In 1969 the phrase flew by, drowned out by the cascade of sounds--another lyric stereo right, the guitar riff, tape hiss...

Author: By J.d. Connor, | Title: From Poetic Lyrics to Lyric Poetry | 11/22/1991 | See Source »

There are few other figures in pop music today who could make the transition from poetic lyrics to lyric poetry with such confidence--Dylan, MacGowan and Stipe come to mind--or such success. Reed knows the stakes and the difficulties, making his achievement more impressive: The book is an obliging read...

Author: By J.d. Connor, | Title: From Poetic Lyrics to Lyric Poetry | 11/22/1991 | See Source »

There are moments when Morrison can inflect a lyric like Mose Allison, other times when he can spin out a blues line like John Lee Hooker. It's a daft and reckless mix, but Morrison makes it work through sheer force of spirit, what he once called, in a memorable song, the "inarticulate speech of the heart." His rhythms are irresistible, his lyrics like an amalgam of Yeats, Kerouac and Chuck Berry. The Irish tenor John McCormack said what distinguishes an important voice from a good one is the indescribable but crucial quality that he termed "the yarrrrragh." The yarrrrragh...

Author: /time Magazine | Title: Listen to The Lion | 10/28/1991 | See Source »

...autohagiography, like the current Barbra Streisand set, this 87-tune panorama showcases a singer who is as gracious with a melody as he is generous with his collaborators. Sinatra may supply more drama, Cole may have been cooler, but no one can get to the quick of a lyric with the easy emotion of Bennett. The selections range from the pop- heavy The Boulevard of Broken Dreams (1950) through some surprises (a swinging, ebullient 1967 version of Al Jolson's Keep Smiling at Trouble) to 1989's high and handsome When Do the Bells Ring for Me. If the material...

Author: /time Magazine | Title: Music: The Bells Ring Now, Tony | 10/28/1991 | See Source »

...cunning that the production is a striking success. The stylized motion and lighting intensify the visceral excitement in the score and heighten the stark contest between the hero and the villainess Ortrud. And the singers, especially Gosta Winbergh in the title role, are first rate. Blessed with a sizable lyric tenor, Winbergh sings Lohengrin's famous farewell softly -- as it is almost never done -- and makes it heartbreaking...

Author: /time Magazine | Title: Opera: Wagner in Slo-Mo | 10/28/1991 | See Source »

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