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Word: lyricizing (lookup in dictionary) (lookup stats)
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...very greatest drawings on the Morgan's walls is Rubens' portrait of his sister-in-law Susanna Fourment, a likeness breathed onto the paper with lyric, impalpable precision in three schematic chalks (white, black and sanguine), conveying the fullest sense of Rubens' appetite for character studies delicately balanced between intimacy and formality. Viewing such work, one realizes that there is no Rubens (or Durer, or Mantegna, or Watteau) of / the late 20th century; what we see here are emblems of a tradition that ended, except for footnotes, with Picasso...

Author: /time Magazine | Title: Art: Emblems of a Lost Tradition | 5/6/1985 | See Source »

...create new forms, new movements (environmentalism, say, or feminism), new companies, high-tech ideas that might have been stifled by traditional lines of authority. No doubt the enormous baby-boom generation would have effected changes anyway. But the war brought with it gusts of wild energy. "Freedom," said the lyric, "is just another word for nothing left to lose." The war, and the protest against it, shook loose forces in American life and gave them a style and prestige they might not otherwise have had. Suddenly, politics came dancing with a loony phosphorescence. There was a certain giddy proximity...

Author: /time Magazine | Title: Viet Nam: A Bloody Rite of Passage | 4/15/1985 | See Source »

...noted the composer in his log the year before it opened. In Candide (1956), he had attempted such a synthesis, but that show was crippled by a bitter book that was vulgarized in its later revisions. With West Side Story, however, Bernstein's command of popular idioms, his soaring lyric gifts and technical skills got free rein in a show as powerful as a street rumble. West Side Story ran for 734 performances, became a 1961 film that won ten Academy Awards and was revived onstage several times...

Author: /time Magazine | Title: Music: West Side Story, Gentrified | 4/1/1985 | See Source »

...numbers written for her investigate the dark, angry range where Paige's powerful soprano lives. The show's best song, Nobody's Side, has Florence offering words to the wounded ("Never stay too long in your bed,/ Never lose your heart, use your head"), and Paige taunts the lyric into an anthem of cold-steel defiance. Here she evokes the clarion brass of Ethel Merman, the liquid phrasing of Barbra Streisand and the rasping energy of the Ronettes--an electrifying amalgam. Chess reveals Paige as the strongest, smartest voice in today's musical theater...

Author: /time Magazine | Title: Show Business: A Hit Show for the Record | 3/18/1985 | See Source »

...above, such as Lambie Pie, Honey Bear and Poopsie, a possible reference to fatigue. There are also physically or emotionally descriptive terms such as Hot Lips, Heartthrob, Hunk and Cuddles. All of which have taken up residence in the language in both conversation and song, as in the distinguished lyric: "When my Sugar walks down the street/ All the little birdies go tweet, tweet, tweet...

Author: /time Magazine | Title: Essay: Let Me Call You Volvo | 2/18/1985 | See Source »

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