Search Details

Word: lyricizing (lookup in dictionary) (lookup stats)
Dates: all
Sort By: most recent first (reverse)


Usage:

...demonic images in Western art radiate such a nightmarish charge of sexual energy as The Great Red Dragon and the Woman Clothed with the Sun, 1803-05. Based on Revelation 12: 1-4, it stands at the extreme opposite end of the scale of feeling from Blake's lyric inventions, the visions of Eden, of childhood and angelic morning stars. It was as a biblical illustrator that Blake achieved his greatness as an artist. His color prints of 1795, along with his illustrations of Milton and biblical water-colors of 1800-09, contain some of the most sublime...

Author: /time Magazine | Title: Art: The Gentle Seer of Felpham | 4/10/1978 | See Source »

AFTER TWO BOOKS of lyric poems, Ruth Whitman, a well-known New England poet, grew tired of the "subjective I." The Passion of Lizzie Borden was Whitman's first poem written from inside another woman. Tamsen Donner; a woman's journey is her second; and a third long poem from the point of view of a woman in the resistance during the Holocaust is underway...

Author: By Harte Weiner, | Title: Death and Rebirth | 4/7/1978 | See Source »

...effortlessly as they once did, but the voice is still basically secure, and Sills should have no trouble finishing her last seasons in high style. Her first big test comes this very week with Massenet's Thaïs at the Metropolitan Opera. It is a high lyric role ("Manon with no clothes on," says Sills), and its range is brutal: from below middle C to high D. The show is a loan of the same production Sills scored a success in last season at the San Francisco Opera. Next December she will appear in her last...

Author: /time Magazine | Title: Music: Sills Calling It Quits in 1980 | 1/23/1978 | See Source »

...Thursday and Saturdays at 8, until February 26; Henry IV Part I is also offered, Fridays at 8 and Wednesday, February 1. Ibsen's Hedda Gabler runs through February 11, Wednesday and Friday at 8 and Saturday at 5 and 8:30, at the Lyric Stage...

Author: By Jurretta J. Heckscher, | Title: Or, You Could Plead Temporary Insanity | 1/12/1978 | See Source »

...created a choreography of the human condition. In classics like Modern Times, The Gold Rush, The Great Dictator, objects spoke out as never before: bread rolls became ballet slippers, a boot was transformed into a feast, a torn newspaper enjoyed a new career as a lace tablecloth. Such lyric moments lifted Chaplin to pantheon status. He became the friend of kings and critics. Einstein sought him out; Churchill praised him. George Bernard Shaw called him "the one genius created by the cinema." Millionaires welcomed Charlie into their homes and their ranks...

Author: /time Magazine | Title: Cinema: Exit the Tramp, Smiling | 1/2/1978 | See Source »

Previous | 138 | 139 | 140 | 141 | 142 | 143 | 144 | 145 | 146 | 147 | 148 | 149 | 150 | 151 | 152 | 153 | 154 | 155 | 156 | 157 | 158 | Next