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Word: lyricizing (lookup in dictionary) (lookup stats)
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...song is a good ten years old. The place goes up for grabs: the collective memory of a generation is galvanized into sweet lyric communion; 16,500 fans in Atlanta's Omni arena stand, cheer, and start to drift away, remembering...

Author: /time Magazine | Title: McCartney Comes Back | 5/31/1976 | See Source »

Listen to What the Man Said is a good tune, all right, with shrewdly alternated rhythms and a lyric that goes down easy...

Author: /time Magazine | Title: McCartney Comes Back | 5/31/1976 | See Source »

...commissioned Bilby's Doll as his company's bow to the Bicentennial celebration. He has presented it well. Ming Cho Lee's skeletal sets have just the right blend of reality and make-believe. As Doll, Catherine Malfitano, 27, acts intelligently and sings with a clear lyric soprano; she is obviously going places. The rest of the cast is almost as good, notably Mezzo Joy Davidson (Hannah), Bass Thomas Paul (Bilby) and Tenor Jack Trussel (Shad...

Author: /time Magazine | Title: Music: Houston's Doll | 3/8/1976 | See Source »

...final moments of Taxi Driver constitute one of those endings too good too spoil. Intellectually it's a trifle slick, a sort of cinematic illustration of the old Rolling Stones lyric about "just as every cop is a criminal and all the sinners saints..." But if Scorsese teases us through the body of the movie with latent violence, he more than compensates for it in the final shootout--a rapid, graphic sequence of knives, bullets and blood, followed by a perversely loving, achingly detailed pan over the scene of the massacre. In this and in the epilogue, Scorsese achieves...

Author: By Seth Kaplan, | Title: Burnt Out at the Bellmore | 3/5/1976 | See Source »

...keening feedback on the beginning of "Station To Station" notwithstanding), and there is little of the musical richness of earlier albums. There aren't even any strings or saxes. What Bowie has done is to concentrate his energies on creating various succinct and catchy integrations of riff and lyric. Sounds like Elton John but it's much rawer and more entrancing, particularly in the choruses, in which he chants enigmatically, "Run for the shadows/In these golden years" or wails his plea, "Stay? That's what I meant...

Author: By Brad Collins, | Title: David Bowie and Falling Glitter | 2/26/1976 | See Source »

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