Word: lyricizing
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Depression-depressed. Turned down by the San Francisco Opera, Floyd's revised version of Of Mice and Men is already scheduled for fall production by the bustling young Kansas City Lyric Theater. In the meanwhile, Seattle operagoers greeted the dramatic yarn of George and Lennie with tense attention. At opera's end, Lennie and George are crouched in the same cornfield. In a final gesture of love, George shoots Lennie to save him from the lynchers, and the curtain falls after the final pistol shot...
With his ageless, cigar-store Indian's face, his schoolboyish cleverness and his endless role playing-political poet, lyric poet, religious poet-W. H. Auden was doomed to be regarded as the most promising poet in the English language. Right up to the threshold of old age. In fact, from the moment his first book of poems appeared when he was 23 and just down from Oxford, Auden was permanently assigned the prospect of becoming T. S. Eliot's successor. That has turned out to be practically a lifetime career...
...THIS LYRIC passage was penned in 1928 by W.E.B. DuBois as an ode to his ancestral home and to a small, typically New England town of Great Barrington. At the time of his death the great intellectual probably would not have been welcome in Great Barrington, for he had renounced his American citizenship, joined the Communist Party, and gone off to Africa. Yer, although DuBois turned away from the United States in disgust, he never spoke of his birthplace without a warm vibrancy in his voice and a soft look in his eyes. Last Saturday William Edward Barghardt DuBois, scholar...
...vivacity, energy and flair for exuberant gesture and radiant color, American art in the 1940s was already betraying a moody melancholy lurking beneath the aggressive romanticism. Ar shile Gorky's disembodied forms, drifting poignantly amid the lyric whisperings of nature, have a kind of indescribable horror, like cancer in a beautiful girl. Edward Hopper's Gas is everybody's home town - and it is stifling with loneliness...
Such work stands peer to Frost, Sandburg and other white American poets who are constantly recited in our schools. In fact, the black tenth of the nation has produced at least a dozen lyric voices of the most intense quality: Langston Hughes and W.E.B. DuBois, Claude McKay, Fenton Johnson and Frank Home. Here, selected lines are ranged against the pictures, both as commentary and gloss...