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Word: lyricizing (lookup in dictionary) (lookup stats)
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...plaster tendrils so slather the rooms that the ceiling is inseparable from the walls. Rococo was ornament become form, rather than the link between forms. It added asymmetry to the earlier style of baroque art, as one would add fantasy to fiction. Where the baroque was epic, rococo was lyric. It had a horror of straight lines, as if such were the symbols of reason and order...

Author: /time Magazine | Title: Styles: The Curve of the Sea Shell | 9/11/1964 | See Source »

...Mimi, which she has sung at La Scala, Mirella Freni, 29, an Italian lyric soprano of talent and beauty, can hold her own with Tebaldi, De los Angeles and Moffo. Her voice is easy and focused, but her particular strength as the little seamstress is her touching youthfulness. Tenor Ni colai Gedda is equally melodious and moving as her lover. Thomas Schippers conducts the Rome Opera House Orches tra and Chorus impetuously but artfully...

Author: /time Magazine | Title: Television: Sep. 4, 1964 | 9/4/1964 | See Source »

...plea, "Hush, little baby, don't you cry," to Jacqueline Kennedy. The show crashed to a close as a huge red heart emblazoned U.S.A. LOVES L.B.J. drifted from the ceiling and the crowd chorused an Allan Sherman parody to the tune Once in Love with Amy. Sample lyric...

Author: /time Magazine | Title: The Presidency: The Roller Coaster | 6/5/1964 | See Source »

Lorca's dramatic death left him a reputation as a revolutionary-which he was not-and gave rise to a Lorca cult that did him no service by drawing attention away from his works and for cusing it on his life. He was, in fact, a lyric poet of great talent-although many critics would argue that either Antonio Machado or Miguel Hernandez among his contemporaries was a finer writer. Lorca was a romantic, and what he restored to the literature of Spain was the tragic vision that Cervantes understood and that left Hemingway mesmerized. "It is Spanish," said...

Author: /time Magazine | Title: Books: Tenses of the Truth | 4/17/1964 | See Source »

Rapturous Piety. Unabashedly, Ransom describes a lyric poem as "an act of rapturous piety; a homage to human nature despite its hateful and treacherous tendencies." Dry, knit-browed New Critics, trying to justify their unexpected fondness for such a man, are often as unsuccessful as connoisseurs trying to convey the exact flavor of a vintage wine. One thing that especially endears the poet to his colleagues, however, is his fashionable fondness for antinomies -his perception that life is lived in impossible tension between unresolvable opposites. Ransom heroines die of "six spells of fever and six of burning." They have only...

Author: /time Magazine | Title: Books: The Equilibrist | 4/3/1964 | See Source »

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