Word: lyricizing
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...voice [a worthy voice], so they had me go sing for the school chorus teacher. He had good things to say and I started taking lessons with his father, who was a well-known local voice teacher. I started doing opera productions with the local [Long Island] company, Island Lyric Opera. The first opera I ever did was Bruno's Faust, where I was in the chorus. After that, the director asked me to do a small solo roll in La Traviata...
...There was an episode when I was in 10th grade [with the Island Lyric Opera] and in 2-3 weeks La Boheme was supposed to open up, and the director came up and said 'Lee--do you think you can learn Schaunard in 21/2 weeks. My baritone can't do it, he's cancelled on me.' So I was like, 'yeah sure, why not?' so I learned that role--it's a great role. I was nervous initially, but afterwards I was pretty confident. I got a lot of compliments from the audience...
Alanis Morissette's new CD, Supposed Former Infatuation Junkie, is her second shot at putting out a good second album. Her 1991 debut, the dance-pop album Alanis, which featured such lyrics as "You're just a party party party boy," brought her modest renown, mostly in her native Canada and mostly (one presumes) among people there who don't read lyric sheets. After her uninspired 1992 follow-up, Now Is the Time, which included a wistful song about standing in the rain outside a Rod Stewart concert, her career stalled. But Morissette's third album, Jagged Little Pill...
...about. Victory at Sea played what I wouldin a generous mood call meditative songs, but whatI will instead call droning and boring songs, thatwent on forever. A guitar/bass/drums trio likeShellac, they'd play the same thing for a minuteor so, and then the singer would shout out thesong's lyric, which was obliquely personal. Andthey'd repeat it five or six times. It wasinteresting the first couple of times...
...album since the band's longtime drummer, Bill Berry, left the group; his absence is present on more than a few tracks. The remaining three members try to make do with drum machines, but the results often lack kick. Nonetheless, singer Michael Stipe is in fine form, and his lyrics are typically haunting and nuanced (a complete lyric sheet is included for the first time). The focus here is on delicately constructed ballads, and several of the songs have the soft, fresh feel of just-showered skin. R.E.M. is still a great band. What the new, drummerless group lacks...