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...been Katharine Hepburn's true reason for entering the movies, and now that "Jezebel" appears, Miriam Hopkins' also. For, although most who know her name would not recall it, Miss Hopkins has been in nine or ten New York hits before her career in celluloid started. Among these were "Lysistrata," "The Affairs of Anatol," "The Camel Through The Needle's Eye," and "John Ferguson." Unfortunately it cannot be said that either the Hopkins or the Hepburn reputation will be greatly increased by their present reappearances on the stage. In the first case, the fault lies mainly with the vehicle; with...

Author: By K. D. C., | Title: Cinema * THE CRIMSON PLAYGOER * Drama | 1/24/1934 | See Source »

...Theatre presents such a one-sided view of Amazons; such a terribly glittering twentieth-century burlesque of an old fable which had its really tender and artistic sides. Modern society views the overwhelming dominance of women in this story of Hippolyta and her court, or in the play of Lysistrata, as unnatural to the point of ridiculousness, and so in the "Warrior's Husband" we have a ridiculous farce, bubbling with mirth and Broadway wit, but none the less, reminiscent of an Elk's pageant in a small town. For all the entertainment they give, Amazon's pictured here might...

Author: NO WRITER ATTRIBUTED | Title: The Crimson Playgoer | 7/11/1933 | See Source »

...assassinated someone and "we are on the verge of a war." "The New Peace Pact is off" and the drums beat. Secretary Seward sees his duty before him, as agent of the people, and persuades himself into a change of heart. Mrs. Seward is intractable, and like Lysistrata, she takes council with the women, who decide not to give the country any more men. She goes from lecture hall to lecture hall, even though her arm is broken when an enemy aviator topples a piece of the Empire State Building on her. She is heckled and hooted, her house ransacked...

Author: By J. H. S., | Title: The Crimson Playgoer | 4/27/1933 | See Source »

...expert, war correspondent, editorial writer & foreign correspondent (Philadelphia Public Ledgers), political correspondent (L'Echo de Paris), associate editor (Collier's), managing editor (The Dial). contributing editor (The New Republic), dramatic critic (Manhattan Evening Graphic). At present he writes a Hearst-syndicated colyum. His adaptation of Aristophanes' Lysistrata was a 1930 box-office success. Harvard-man (1914), married (to Alice Walhams Hall), with two children, he lives quietly in Manhattan, shuns publicity, misses few tricks...

Author: /time Magazine | Title: Books: Fever Chart | 2/6/1933 | See Source »

...small part was the enthusiastic reception of last year's Lysistrata due to the setting executed by Norman Bel Geddes. In Manhattan last week he turned his attention to staging and directing another revival, Shakespeare's Hamlet. The Geddes production lops a good-sized chunk off the original script, a move which will offend none but the most iconoclastic purist. Director Geddes has also provided an adequate cast. Raymond Massey, a cadaverous young man who brings from London fame as an actor-director-manager (The Man in Possession, Topaze, Grand Hotel) simultaneously makes his U. S. and Shakespearean...

Author: /time Magazine | Title: The Theatre: Shakespeare by Geddes | 11/16/1931 | See Source »

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