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Word: m-g-m (lookup in dictionary) (lookup stats)
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...worry about. Income from foreign box offices would suffer from devaluation of the pound. MGM's Louis B. Mayer estimated dourly that his studio's overall receipts would be cut by nearly 10%. He ordered a new economy drive, but, for the time being at least, M-G-M and the other major studios hoped to get along without any layoffs...

Author: /time Magazine | Title: Cinema: Ups & Downs | 10/10/1949 | See Source »

That Midnight Kiss (M-G-M). Producer Joe ("No one's going to get sick or die in my movies") Pasternak is an expert at turning out box-office musicals (Three Daring Daughters, In the Good Old Summertime). His favorite theme is the American dream that the tot on the living-room floor may one day turn out to be another Schnabel or Flagstad. In this case, the American living room is the usual Pasternak plush job, heavily furnished with grand pianos, helpful celebrities and enthusiastic prodigies...

Author: /time Magazine | Title: The New Pictures, Sep. 19, 1949 | 9/19/1949 | See Source »

After an almost idle year under contract to Universal, Elizabeth switched to M-G-M where she played opposite Roddy McDowall in Lassie Come Home. National Velvet followed a year later. For three years of "awkward age" she had only minor roles, went to the studio school, rode horses, and played with her turtles, fish, mice, rabbits, cats, dogs, ducks and chipmunks. She wrote a little story about one of the chipmunks, called Nibbles and Me, which was published under her name but shows the toothmarks of some careful editorial nibbling...

Author: /time Magazine | Title: Cinema: Big Dig | 8/22/1949 | See Source »

...Elizabeth ripened, M-G-M ripened her roles. In Conspirator, not yet released, Robert Taylor (no kin) made love to Elizabeth so fiercely (said Hedda Hopper) that one of her vertebrae was dislocated. Next year Elizabeth will get an even juicier part in Theodore Dreiser's An American Tragedy. She will co-star with Montgomery Clift...

Author: /time Magazine | Title: Cinema: Big Dig | 8/22/1949 | See Source »

Mother is paid to watch things closely. To fortify her natural inclinations to protect her child, M-G-M pays Sara Taylor $250 a month (the usual fee for "movie mothers") to guard its property, which one M-G-Magnate has spaciously valued at "$50,000,000, maybe even $100,000,000." Elizabeth herself makes only $1,000 a week, which is raisins to the plums she should soon be getting. Next year her salary goes up to $1,500 under the present contract, which has three years to run. Bonuses may add to her take...

Author: /time Magazine | Title: Cinema: Big Dig | 8/22/1949 | See Source »

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