Word: m
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Dates: during 1940-1949
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Earlier last night, the Council had asked Fisher to resign, repeating an unofficial request last month by William D. Weeks '49, Council president, and Alfred M. Goodloe '50, chairman of the NSA delegation. Fisher refused, how-ever, on the grounds that his resignation would not help the NSA in any way. He added that if he had been convinced that anything he did regarding NSA had been wrong, he would have resigned...
Charles R. Brynteson '50 and Amory Houghton Jr. '50 went on record against the removal, while Edward M. Foote '51 abstained. Weeks, who did not vote, added his signature to the majority opinion
However, what has been unavoidably 'lost' in the filming is greatly outbalanced by the production of Jean Delannoy, the director and adaptor. M. Dellannoy is also producer of the Cocteau films, and like them, he has furnished this one with an excellent score by George Aurie...
...when the blind girl returns home from the hospital with her vision restored. It is the most emotional scene this reviewer can recall having seen in a motion-picture. It reaches its peak when the wife introduces herself to the girl, her unwilling rival, with the quite words: "I'm Amelie...
Michele Morgan plays her role with a kind of feline softness and grace. Her purity and helplessness make her a natural object for protection. The Pastor of M. Blanchar is a man who acts as his faith (the Good Sheperd) and his natural inclination lead him. He presents the Pastor as postponing the girl's cure not solely because it will mean losing her love, but because she has given him spiritual (and vocational) satisfaction as well. M. Blanchar's Pastor moves with automatic thoroughness towards the catastrophe, not thinking, as other men might, whether what he is doing...