Word: m
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Dates: during 1980-1989
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...doesn't have an agent, publicist or manager, but the trade-offs of independence are worth it. "What I get is peace of mind, sanity. I have control over my work. That outweighs everything else," he says. "So I don't get invited to Hollywood parties. So I'm not on the Hollywood circuit. So I don't own a home in Beverly Hills. So Barbara Walters doesn't include me in her specials. I don't give a s about all that stuff...
...reality today is that no matter how successful you are, you're black first. You know what Malcolm X says: 'What's a black with a Ph.D.? A nigger.' Why should I spend my time and energy getting around that. I know who I am, and I'm comfortable with that . . . It's difficult because I don't have the luxury white filmmakers have. Hollywood makes 500 films a year. How many of those are black films? On the one hand you want to be yourself, on the other hand you can't turn your back on black people...
...ability to market his own films gives Lee an edge when he deals with Hollywood. Still he approaches it with distrust and stubbornness. "I have a script, and they know I have final say. They know there are things I'm going to demand. If they want to do the film, these things have to be met, or else we don't do it." But Lee is in a precarious position: he needs the power, muscle and money of a major studio to market and distribute his films, while still protecting his work. "He is fighting for his creative life...
Vice Chairman: Gerald M. Levin...
Executive Vice Presidents: Donald M. Elliman Jr., S. Christopher Meigher III, Robert L. Miller...