Word: m
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Dates: during 2010-2019
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...movie asks you to grow up so quickly. Was it hard to wander between the extremes? I'm thinking of the scene in which you finally break up with Peter Sarsgaard's character. Rewind 30 minutes, and you are totally in love. That scene looks so dramatic on the screen. I remember it as the day when my brother was on the set for the first time, and he was so excited. But what was funny was that it was 3 in the morning when they started shooting my side of the scene, and then a full two hours later...
...gears. When did you see the final cut of An Education? The first time I watched it was three days before Sundance, actually. And I thought I was completely awful. I took my friend Zoe Kazan and her mom, and I was like, "Oh my God, I'm so boring! I don't do anything with my face!" I had never really watched myself before as the star of a film. I had been in supporting roles all the time, and [with those] you can come in and then disappear. But in An Education I'm there all the time...
...think you'd go back to change something because you're not the same person anymore and the same stuff that I see in it that drives me crazy is what others think made the character real. That's who I was at that moment in time. So I'm happy with...
...goes through elsewhere. In holding back from electronic manipulation and overt classicism, TNP unearth a true gem. “Hologram” is a small nest of musical escapism, and the lyrics tackle a similar theme—“Shut the door / Because I’m staying here / The world might disappear / Under blankets of snow.” The song offers relief from the tracks surrounding and overcrowding it; it is a true exploration of the band’s musical abilities...
...painter Cavaradossi (Jeffrey M. Hartman), Tosca’s lover, is not just painting a Madonna; he is painting a mural of an ostensibly Futurist Madonna. Thus, added to the crime of aiding an escaped political prisoner is the implicit charge of “subversive art” (despite the fact that the Futurists tried so hard to ingratiate themselves with the Fascists...