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...m generally obsessed with uncertainty,” says Director Calla C. Videt ’09. “I work in a sort of haze of uncertainty.” Within the context of “The Untitled Project,” such uncertainty is almost logistical—the form of the event depends on the impact of revelation and surprise. The audience, she believes, should arrive knowing very little about the project, but instead should be drawn by curiosity; and the show, she says, is only effective when you don’t know what...
...m still getting over bronchitis and my show opens tomorrow!” A statement like this doesn’t sound so incredulous coming from Christine K. L. Bendorf ’10, a Quincy House senior whose passion for theater would never allow her to be stopped by something so trivial...
...main passion in life is for Stephen Sondheim,” says the actress who, since enrolling at Harvard, has performed in four Sondheim productions. “I’m making the focus of my final concentration project Stephen Sondheim and the process of putting up one of this shows.” This project is certainly applicable to her extracurricular work; she is currently performing the role of the Baker’s Wife in the production of Sondheim’s “Into The Woods” on the Loeb Mainstage...
...York a try. She debated over the idea of going to graduate school, but decided soon after auditioning that she was using it as a safety net. “I need to try it out, be scared. It’s scary but I know I’m going to be doing what I love to do and what I’ve wanted to do my whole life...
Quinn’s success largely stems from his bold, fearless attitude—when told that freshmen generally do not direct shows, he says his reply was, “Oh, that sucks. I’m going to prove you wrong”—but also from natural talent. “Though Patrick doesn’t have the extensive dance training that I and many of his other dancers have,” says Marin J. D. Orlosky ’07, a dance associate at the Office for the Arts at Harvard...