Word: ma
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Dates: during 1960-1969
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...newspaper revealed that he had been supporting an illegitimate child for several years. Distraught party leaders asked him what to do. "Tell the truth," he doughtily replied. The truth scarcely satisfied Republicans, who improvised several more scandals about Cleveland and made the most of a campaign ditty: "Ma, ma, where's our pa? Gone to the White House. Ha! Ha! Ha!" Cleveland narrowly won because of his public probity and also because women did not have the vote...
...water buffalo's hire (69¢). Under Nasser's socialism, the fellah no longer has to make obeisance to the local pasha; instead, he is cheated by the corrupt administrator appointed by Cairo. Nasser's revolution, which began with bright hopes, is dismissed, like everything else in Egypt, with "ma-'alesh," a verbal shrug meaning roughly that nothing can be done about...
Hoffman and his co-film maker Jonathan Gordon focus blurrily on a corpulent little insurance hustler from Long Island named Murray King. In the cinéma vérité manner, they track him with camera and sound equipment from his office through some endless conferences to a business vacation at Caesars Palace in Las Vegas, all the while mocking their subject and his legion of clients, chippies and hangers-on. Despite the documentary pretense, it turns out that many of the scenes were staged expressly for the film. Only diehard viewers who survive to the last few frames...
...their search for "truth," Hoffman and Gordon have come up with a new genre, a kind of cinéma mendicité that conveniently allows them to put a lot of gullible egomaniacs through their paces and exploit them at the same time. As might be expected from men of such scruples, the resultant film is tacky and insufferably condescending. It invites audiences to laugh at a pathetic, driven man, while the real clowns peek out from behind the cameras...
...Ping. This fondness for movable sculpture qualified De Maria as a progenitor of the busy school of "Optional art," whose practitioners in vite viewers to play a sort of game by rearranging various objects in a composition to suit their own tastes. Avant-garde collectors began to buy De Ma ria's work. He was soon able to have them made up in steel rather than wood, and the games became more diabolical. His 1965 Instrument for La Monte Young looks like an innocent, slender metal box with a ball in it. But De Maria designed it with microphones...