Word: macbeth
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Dates: during 2000-2009
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...Stage, radio and film: all were canap?s for the voracious man-child. Consider these three triumphs. In 1937, at 22, Welles and his Mer-cury Theatre had vitalized the New York stage with a "voodoo" " Macbeth," a "fascist" "Julius Caesar" and the agit-prop musical "The Cradle With Rock" - the last a sensation when the sponsoring WPA denied it a venue and Welles marched his company and the first-nighters to another theater, where the actors per-formed the show from the audience. In 1938, he elevated radio drama by bringing the Mercury Theatre to the air and, on October...
...kings and plutocrats, all the newsmakers of the period. And one new newsmaker. As he recalled for Peter Bogdanovich in "This Is Orson Welles," a kind of oral memoir: "One day they did as a news item on ?March of Time? the opening of my production of the black ?Macbeth,? and I played myself in it. And that to me was the apotheosis of my career - that I was on ?March of Time? acting AND as a news item...
...were talking on the phone the other night and I mentioned, in a musty way, that I had just been reading a passage of Shakespeare that I liked, something from Macbeth. I pronounced the first few words of the quote. Justin completed the quote for me, rattling off the next several lines...
...must recover some of the aesthetic activism that came into play in the Astor Place Riots of May, 1849, when New York audiences of Shakespeare divided their loyalties between the American actor Edwin Forrest and the British actor William Charles Macready. Forrest gave a crude, robust, vehement interpretation of Macbeth. Macready was more cerebral...
...hype here: there are nearly 11 hours of buried treasures, most of them from the first half century of movies, all rescued and restored by nonprofit institutions. Among the finds in this handsome four-disc set are footage of Orson Welles' 1936 "Voodoo" Macbeth and Marian Anderson's 1939 concert at the Lincoln Memorial; a 1901 trick film transferred from paper prints; a 1905 ride on a New York City subway; such avant-garde classics as The Fall of the House of Usher (1928) and Joseph Cornell's Rose Hobart (1936), a work with such power to shock that Salvador...