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...makes one further appearance, in defiance of tradition. When Seyton informs Macbeth of her suicide, Quintero, acquiescing to Robards' request, lets Macbeth exit and re-enter with his dead wife in his arms before delivering his "She should have died hereafter" soliloquy...

Author: By Caldwell Titcomb, | Title: Macbeth | 8/6/1959 | See Source »

...supporting roles in Macbeth are notoriously less fully rounded on paper than those in the other great Shakespearean tragedies, and thus require special efforts for appreciable individualization. In a good many cases the present cast is up to the task...

Author: By Caldwell Titcomb, | Title: Macbeth | 8/6/1959 | See Source »

Henderson Forsythe is an adequate Banquo, though a little colorless for a man who is supposed to be Macbeth's honorable rival. As Macduff, Roy Poole has a slight vocal problem; but he has a noble manner, and rises to great heights in the moving scene in which he is informed of the slaughter of his family. Duncan is a weak old king, but not so weak as Pat Malone makes him. Barry Macollum is a deeply affecting Physician. William Myers' Lennox needs to smooth out his jerkv delivery...

Author: By Caldwell Titcomb, | Title: Macbeth | 8/6/1959 | See Source »

...given us a warm Sister Juana and a wonderful Maggie Wylie; and an unmatchably transcendent Saint Joan, which may serve as a yardstick for all future performances by an actress. In Shakespeare, she has now offered us a memorable Hamlet (yes, the title role!), Viola, and Lady Macbeth. And I have not cited her portrayals of other classic roles abroad...

Author: By Caldwell Titcomb, | Title: Macbeth | 8/6/1959 | See Source »

...more than fitting to address her in a paraphrase of Lady Macbeth's own words: "Great human being! worthy woman! Greater than both, by the all-hail hereafter! They acting hath transported us beyond this ignorant present, and we feel now the future in the instant...

Author: By Caldwell Titcomb, | Title: Macbeth | 8/6/1959 | See Source »

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