Word: macbeths
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Dates: during 1930-1939
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...years, Albert Ryder completed less than 200 pictures. A recluse who painted from imagination, he lived in a messy Manhattan studio. Working on several pictures at a time, he gave them lustre, depth and mystery through alternate layers of paint and glaze. After laboring 18 years on Macbeth and the Witches, one of the romantically sombre canvases in his present Manhattan show at Knoedler's, he remarked: "I think the sky is getting interesting." Critics agree that Ryder's skies are the most interesting in U. S. painting...
...centuries to marry an English King, the first since Henry I married Matilda in noo A.D. She is descended from Sir John Lyon, the adventurous Thane of Glamis who in 1376 won as his bride Princess Jean, daughter of King Robert II of Scotland. Shakespeare's tragedy of Macbeth, the Thane of Glamis, goes back to an earlier legendary period, but tourists still visit the Queen's ancestral home Glamis (pronounced Glahms) Castle to see where "Macbeth did murder Duncan," King of Scotland...
...Irving Reis, a swarthy, jittery onetime control-room engineer who thought the production, not the play, was the thing, and who sweated with oscillators, electrical filters, echo chambers to produce some of the most exciting sounds ever put on the air-Gulliver's voice, the witches in Macbeth, footsteps of gods, the sound of fog, a nuts-driving dissonance of bells, the feeling of going under ether. When Director Reis left the Workshop-which also graduated an even more celebrated member, Orson Welles-it was run for a time by handsome, long-armed William N. Robson, CBS staff director...
...acting. Though she professionally directed a score of plays in England, it was in the U. S. three years ago, with Evans' Richard II, that she first directed Shakespeare. Directing plans for next year: Chekhov's The Cherry Orchard. Some day: Shakespeare's Troilus and, Cressida, Macbeth...
Along in the dressing-room, Vag picked up the be-horned helmet and put it on his head. Then he walked over to the mirror and adjusted a bushy moustache under his nose. As an afterthought he added red eyebrows, which, he noted, beetled just right. Macbeth stared at himself a moment and then began to roar out the soliloquy...