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Appalling and terrible, Medea is somehow yet understandable and real-her emotions less hidden in the mists of the past than an Oedipus' or an Antigone's. And with a temerity as notable as her talent, Actress Anderson (Macbeth, The Three Sisters) brought those emotions spectacularly out into the open. She flung aside both classic control and realistic restraint. She played Medea half in the grand manner, half in the Grand Guignol manner; she used every wile of body and face, every art of voice and gesture, to produce something possibly mixed or impure-but definitely, undeniably overwhelming...

Author: /time Magazine | Title: The Theater: Half-New Play in Manhattan | 11/3/1947 | See Source »

...International Congress of Composers, but anyone who expected to hear new theories or techniques was disappointed. Blinking myopically under the klieg lights, he read a dull account of the bureaucratic organization of Soviet music, not once mentioning himself. At the end, someone asked: "Is your opera Lady Macbeth of Mzensk banned in Russia?" Said Shostakovich quietly: "It is not banned-it is simply not played." There was an embarrassed silence; considering the blast directed at Lady Macbeth by Soviet ideologists eleven years ago ("Screaming, neurotic music"), it was hardly a nice question. Shostakovich made an abrupt bow and walked from...

Author: /time Magazine | Title: Music: Prague Recaptured | 6/9/1947 | See Source »

Theatre Guild on the Air (Sun. 10 p.m., ABC). Macbeth, with Maurice Evans and Judith Anderson...

Author: /time Magazine | Title: Radio: Program Preview, May 12, 1947 | 5/12/1947 | See Source »

Every August there was a visit to her maternal grandmother, the Countess of Strathmore, where Elizabeth and Margaret could romp in the ancient corridors of Macbeth's Castle Glamis. There were English Christmases at Sandringham, where the whole family gathered to sing carols, play charades, Dumb Crambo, Animal Grab and Consequences, and dance the Sir Roger de Coverley. And always & everywhere there were friendly relatives, dogs and horses...

Author: /time Magazine | Title: Foreign News: Ein Tywysoges | 3/31/1947 | See Source »

Hold, Enough! In Oldham, England, Actor Antony Oakley, playing Macduff in Macbeth, charged with his dagger, laid on with such vigor that Macbeth was laid up with a five-inch abdominal wound. In Toulon, France, Baritone Fernand Lagarde, carried away by the third act stabbing scene in Bizet's Les Pecheurs de Perles, was carried offstage with a two-inch abdominal wound...

Author: /time Magazine | Title: Miscellany, Feb. 17, 1947 | 2/17/1947 | See Source »

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