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...others: 1) Daniel Bell, 2) Noam Chomsky, 3) John Kenneth Galbraith, 4) Irving Howe, 5) Dwight Macdonald, 6) Susan Sontag, 7) Mary McCarthy...

Author: /time Magazine | Title: Books: Intellectuals: It Takes One to Know One | 9/2/1974 | See Source »

Though the plot is like a Ross Macdonald garden of sin buried and retribution delayed, the book resembles a conventional detective story only when Mark Smith's whim turns to parody. Like the two dozen other fully drawn figures who crowd the story, Detective Magnuson seems something less than real, and neither the reader-nor the author-is sure just how seriously to take...

Author: /time Magazine | Title: Books: Lots of Lunch Meat | 8/26/1974 | See Source »

...focus is on what such spokesmen of the Intellectual Left as Norman Mailer '43, Norman Podhoretz, Mary McCarthy, Susan Sontag, Noam Chomsky, Irving Howe and Dwight MacDonald wrote at each particular stage and how four particular "little magazines" reflected the vacillating fortunes of the intelligentsia. Because the study is an historical one that traces a written record of intellectual thought, Vogelgesang can avoid answering the very questions her survey raises and conclude that "the reaction of the U.S. Intellectual Left to the Vietnam War still begs its own response...

Author: By Jeff Leonard, | Title: Awaiting the Dawn | 8/2/1974 | See Source »

Towne's script makes a nod to another Los Angeles mystery writer, Ross MacDonald, most markedly in its use of familial trauma in the plot solution. But it is to Chandler that the movie is very deeply indebted. No film has ever succeeded quite so well as Chinatown in conveying the ambience of Los Angeles before the war-sun-kissed, seedy and easy. The city was a central metaphor for Chandler, and it is brought alive here by Polanski and his collaborators, Production Designer Richard Sylbert and Costume Designer Anthea Sylbert. The film was photographed by John Alonzo...

Author: /time Magazine | Title: Cinema: Lost Angelenos | 7/1/1974 | See Source »

Cott includes an almost intimidating photograph of George Macdonald, one of the most influential of Victorian writers. He has an imposing, theatrical head--with staring eyes, straight nose, and a massive white beard--a black cassock is draped over his shoulders and bound with rope at the waist. Macdonald wrote allegorical, spiritual fantasy in a language that can only be described as lyric and dignified. Archetypes people his tales--like Photogen, the "day boy" and Nycteris, the "night girl" whom a witch raised on "wine dark as a carbuncle, and pomegranates, and purple grapes, and birds that dwell in marshy...

Author: By Anemona Hartocollis, | Title: Silent Moving Ones | 5/21/1974 | See Source »

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