Word: machado
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...Kelpamalt), who in 1930 founded Carl Byoir & Associates, built the firm into one of the U.S.'s most successful publicity and propaganda mills; of cancer; in Manhattan. Drumbeater Byoir pounded out copy for all comers (among the early beneficiaries of his press-agentry: Trigger-happy Cuban Dictator Gerardo Machado, Nazi Germany's Tourist Information Office, President Roosevelt's Birthday Balls for infantile paralysis), in 1946 was fined $5,000 in a federal court for conspiring with the A. & P. chain-store firm to violate the Sherman Anti-Trust Act (he set up dummy trade and citizens...
...Radcliffe junior's superiority in the compulsory school events seemed likely to bring her the title. Miss Albright, who lost the crown in 1952 when she fell late in the competition, said before leaving the United States that she also anticipated a very strong bid from Catherine Machado. the third United States entry...
...Batista's American Pressagent Edmund Chester. Pundit Pearson irritated Cuban readers with his naive reporting and prize factual boners, e.g., Pearson wrote that Batista "once threw out Cuba's most hated dictator," although, as every Cuban schoolchild knows, Batista had nothing to do with Dictator Gerardo Machado's ouster in 1933. Quipped El Mundo Columnist Carlos Robreno: If Batista's cronies had given "one more lunch in his honor," Pearson might have written that "Batista also led the revolution against Spain in 1868 and started the War of Independence...
What is reality? The question has furrowed the higher brows from Sophocles and Heraclitus to Pirandello and John Dewey. To Joaquim Maria Machado de Assis, who produced the best in 19th century Brazilian literature, the "problem of reality" was not just a metaphysical "What is it?" The problem was a practical "Can you take it?" In Philosopher or Dog?, the third of his novels to be published in English, Author Machado tells what happens to a man who can't take...
...irony goes deep-deeper sometimes than the author can smelt it. Machado was occasionally a careless workman: his characters often come tumbling into view piecemeal-so many arms, fears, eyes, legs, longings, that the reader must assemble them as he can. The symbolism of the dog with the same name as his late master is soggy, and gets worked for more than it is worth-Machado seems to be saying that along with the old man's money and dog, Rubião inherited his fatuity. Still, as the author says at one point in the book...