Word: machiavellis
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Dates: during 1960-1969
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...Cuban missile showdown. Despite the old American distrust of all power, he believes that our current social ills are eliciting new assertions of power, and that its nature should therefore be better understood. His own attack on it is as systematic and undaunted as any book since Machiavelli's The Prince...
Berle feels that the recurrent threat of chaos is most pressing in foreign affairs. Pure nationalism, as bequeathed to the modern world by Machiavelli, he sees as the dominant focus of international power still. But its influence is complicated by such things as Communist messianism (waning), and such illusions of order as can be generated by the United Nations. Berle believes power's next institutional forum, internationally, is not likely to be a single world empire but a concert of empires. All of which at least will have a good chance of avoiding nuclear war (the "least immediate...
Berle has no faith in automatic human evolution for the better. His chief bias is an old New Deal planner's intolerance of chaos-which may not prove as intolerable as he thinks. His analysis of power is a great deal more congenial to the American mind than Machiavelli's, which separated power from ethics. In outlining a basis for the post-modern world. Berle makes clear that power succeeds only with the help of philosophers, whose task is to cause man to agree on ideas of good and evil...
...decides to wreak vengeance on the whole gender of womanizers by giving Caine "one in the eye for every girl in the building." But triumph leaves her a vulnerable pushover for her next boss, an eminent barrister (Scofield). He proves to be even more treacherous than Caine, a malevolent Machiavelli rather than merely a fun-loving Alfie...
Even the slightest of the plays were produced with engaging theatricality, as in the swaggering bawdiness of the Drama Club's Mandragora, the Machiavelli farce. Czech acting at its frequent best combines an animal energy with the timing of aerial acrobats. Czechs make superb comedians, and have that highest comic skill-to slip with a flash of the eye into the tragic mask. Czech direction is passionately intelligent. In Architect Josef Svoboda, they have the most imaginative stage designer working anywhere today...