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...film is essentially a flat variation on Swept Away-with all of that hit's flaws intact but none of its wit, passion or eroticism. Giancarlo Giannini, looking understandably enervated, is back again as a macho Italian Communist; this time his sexual-political antagonist is the terminally weepy Candice Bergen, who plays his radical-chic American wife. A good part of the action unfolds in their fashionable Rome apartment on a very long, very rainy night during their marriage's tenth year. The couple are feuding, of course: about the fate of the revolution and their relationship, about...

Author: /time Magazine | Title: Cinema: Water Torture | 2/6/1978 | See Source »

...fund-raiser in Boston last week. She is oppressed again and again by wicked bosses. One day her friends take pity on her and present her with a membership in 9to5. Phoenix-like, she rises up out of the typing pool to defeat one discriminatory employer after another--Macho Mutual Insurance Company, Arrogant Women-Proof Publishers, First Bigoted Bank of Boston, Neanderthal University. Will the work of the noble Ms. Leaguered ever be done...

Author: By Janny P. Scott, | Title: Raises, Not Roses | 1/20/1978 | See Source »

...Hollywood equipment such as a pressagent, live up to his screen image. After a stint in the passenger's seat of Eastwood's Ferrari Boxer, tooling down those twisty Monterey Peninsula roads, Witteman admits that he was "scared to death." Most Eastern critics tend to dismiss the macho and mayhem films made by the two superstars as drive-in popcorn or worse. But Contributor Richard Schickel, who wrote this week's cover story, takes a different view. Schickel, a film maker himself as well as a critic, has spent time with both men and admires them...

Author: /time Magazine | Title: A Letter From The Publisher, Jan. 9, 1978 | 1/9/1978 | See Source »

...Redford. Eastwood-Reynolds films are usually dismissed by critics, rarely play the chic little theaters where the cinéastes gather to read subtitles and subtleties, or get nominated for prizes. If anyone talks about Burt and Clint at all in the better intellectual circles, it is to denounce their macho manners and express fear that their habitual resort to violence poses a continuing threat to the morals of the children and, very possibly, to Liberal Democracy and All It Holds Dear...

Author: /time Magazine | Title: Good Ole Burt; Cool-Eyed Clint | 1/9/1978 | See Source »

...roles he played." Soon Johnny Carson started asking Reynolds to fill in as host of the Tonight Show. Even the infamous nude centerfold photo in Cosmo was intended as a put-on, a satirical thrust at the whole institution of centerfolds and a self-parody of his own growing macho image. That gambit may have worked a little too well. The magazine hit the stands just as Reynolds' first really good picture, Deliverance, hit the screen, and some of his friends think the gatefold may have cost him an Academy Award nomination. Overall, however, his strategy worked...

Author: /time Magazine | Title: Good Ole Burt; Cool-Eyed Clint | 1/9/1978 | See Source »

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