Word: mackli
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...Rose Keyser (Associate Editors); Kevin J. McVea (Operations); Renee Mancini (Syndication); Arnold H. Drapkin (Consultant); Dorothy Affa Ames, Sarah Buffum, Paula Hornak Kellner, Gary Roberts, Nancy Smith-Alam, Robert B. Stevens (Assistant Editors); Marie Tobias, Mary Worrell-Bousquette (Researchers) Bureaus: Martha Bardach, Sahm Doherty, Leny Heinen, Stanley Kayne, Glenn Mack, Barbara Nagelsmith, Anni Rubinger, Melanie Stephens, Simonetta Toraldo Photographers: Terry Ashe, P.F. Bentley, William Campbell, Greg Davis, Rudi Frey, Dirck Halstead, Kenneth Jarecke, Cynthia Johnson, Shelly Katz, David Hume Kennerly, Steve Liss, Christopher Morris, Robin Moyer, Carl Mydans, James Nachtwey, Matthew Naythons, Robert Nickelsberg, Chris Niedenthal, David Rubinger, Anthony Suau...
...classic rockers (Splish Splash, Dream Lover), then decided to turn himself into Sinatra. No one ever said Darin was modest. That brashness, in fact, was part of his whole charming, overreaching package, which is welcomely represented on two Atlantic CDs called The Best of Bobby Darin (Splish Splash and Mack the Knife). Mack, of course, became Darin's signature song, making him equally at home in supper clubs and on American Bandstand. He went to Hollywood, made movies, played Vegas and laid down some exceptional, swinging sides, but after Mack, consistent success was as elusive as a single, solid performing...
...matriarch of this ragged clan, is approaching her 86th birthday and toys with the idea of blowing Catchprice Motors to smithereens; she has a stash of gelignite and knows how to use it. Her daughter Cathy wants to leave the family business and go on the road with Big Mack, her country-and-western band. Son Mort refuses to sell cars and enjoys a none-too-warm paternal bond with his own two teenage sons: Johnny, 18, has escaped to a Hare Krishna ashram in Sydney; Benny, 16, possesses, as Mort sees it, "severe learning difficulties and the belief...
Others quickly follow. Mack's discreet little affair with his secretary (Mary-Louise Parker) threatens to become indiscreet. His best friend, a heedless movie producer (Steve Martin), is permanently crippled in a mugging. His wife Claire (the luminous Mary McDonnell) discovers an abandoned baby on her morning run and, afflicted by empty-nest malaise (their son is growing up), begins a campaign to adopt the foundling. An earthquake thunders through town, a neighbor dies suddenly, and overhead the police helicopters endlessly circle, their probing searchlights constant reminders of disorder and imminent sorrow...
Against which everyone bravely, touchingly, builds his or her none-too- sturdy defenses. Mack, in fact, turns into a benign busybody, trying to pat almost all the lives that touch his into shape. His work comes out a little too neatly, but Kline's performance, like all the others, is engagingly soft- spoken. And well spoken. The screenplay -- by Lawrence and Meg Kasdan -- has a nice, unforced wit, and Lawrence Kasdan's direction has its jagged edges. If sometimes this loose and anecdotal film loses dramatic pace, it always rights itself. And it remains steadily in touch with its best...