Word: macleods
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Europe: James O. Jackson London: Barry Hillenbrand Paris: Thomas Sancton Brussels: Jay Branegan Bonn: Bruce van Voorst Central Europe: James L. Graff Moscow: John Kohan, Sally B. Donnelly Rome: Greg Burke Istanbul: James Wilde Jerusalem: Lisa Beyer Cairo: Dean Fischer Beirut: Lara Marlowe Nairobi: Andrew Purvis Johannesburg: Scott MacLeod New Delhi: Jefferson Penberthy Beijing: Jaime A. FlorCruz Hong Kong: William Dowell Southeast Asia: Frank Gibney Jr. Tokyo: Edward W. Desmond Ottawa: Gavin Scott Latin America: Laura Lopez...
Europe: James O. Jackson London: Barry Hillenbrand Paris: Thomas A. Sancton Brussels: Jay Branegan Bonn: Bruce van Voorst Central Europe: James L. Graff Moscow: John Kohan, Sally B. Donnelly Rome: Greg Burke Istanbul: James Wilde Jerusalem: Lisa Beyer Cairo: Dean Fischer Beirut: Lara Marlowe Nairobi: Andrew Purvis Johannesburg: Scott MacLeod New Delhi: Jefferson Penberthy Beijing: Jaime A. FlorCruz Hong Kong: William Dowell Southeast Asia: Frank Gibney Jr. Tokyo: Edward W. Desmond Ottawa: Gavin Scott Latin America: Laura Lopez...
...TIME's Johannesburg bureau chief for the past five years, Scott MacLeod has seen more than his share of tragedy. But nothing prepared him for the devastating news in July that a colleague, 33-year-old South African photojournalist Kevin Carter, had killed himself. Carter was famous in South Africa for his fearless coverage of deadly township violence, and he had become internationally known for his Pulitzer prizewinning photo of a vulture coolly eyeing an emaciated Sudanese child struggling toward a feeding station. "Few journalists saw as much violence and trauma as he did," says MacLeod. Shocked by Carter...
...researching the article, MacLeod interviewed Carter's family, close friends and colleagues, as well as experts on suicide; in the process he encountered several other journalists in pursuit of the mystery of Carter's self-destruction. But the subject eluded easy conclusions and assumptions. Says senior editor Howard Chua-Eoan: "It's tempting to call this a straightforward story of a man who couldn't handle fame, but in the end, it was a lot sadder and more complicated than that." Observes MacLeod, who worked with Carter in Mozambique in July: "Ambition and a search for glamour and excitement were...
...MacLeod also sees Carter's story as representative of a darker side of middle-class white South Africa and as a warning about the lingering effects of apartheid on all of that country's people. "The lives of some whites too were disrupted and even destroyed by the social experiment," he notes. "I wanted to show that side of the apartheid story as well...