Word: maclver
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Dates: during 1950-1959
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...Cafeteria (see color) was strictly old-school-tie abstraction-the tie being to reality. It proved once again that Hopper, 76, keeps as firm a grip on imaginary space as any abstract artist alive, still wrings poetry from its arrangement. Charles Sheeler, Georgia O'Keeffe and Loren Maclver also scored for the older generation, and Stuart Davis' brassily old-fashioned abstraction, Pochade, was like a joyful bopping of the drums for Dixieland jazz, a great U.S. export of another era. Overall, the Whitney show testified that there is more substance in American art than the wildest skeins...
From the bullfrog severity of Robert Feke's The Reverend Thomas Hiscox, painted in 1745, to Loren Maclver's dew-gentle The Street, done last year, the Wildenstein exhibition is a succession of triumphs. No fewer than 28 major museums in 16 states contributed to the exhibition, and of its 54 canvases more than half are outright masterpieces. Seen in a body, they bring home with tremendous impact the vast and varied achievements of American painting. Said Harris K. Prior, director of the American Federation of Arts, in a foreword to the Wildenstein show: "Americans are finally accepting...
...egomania. Lipton's The Cloak, even as a theme, could be more feelingly rendered by any class of fifth-graders. Glarner's Relational Painting Number 79 should be considered as an expression of pure design, not as art-it would make an excellent linoleum motif. Contrastingly, Loren Maclver's The Street shows a lyric tenderness; apparently there is still a bold blaze of originality in contemporary American art, for all of the maunderings of the abstract expressionists. TED LOVINGTON JR. Staten Island...
...Curator Henry Clifford, took three days to weed through 1,643 submitted paintings. Then they underlined by their choices the two trends they felt most evident in the heavily abstract field: i) a move toward more recognizable subject matter, and 2) a surprising strength in oldtime geometric abstractions. Loren Maclver's softly luminous The Street (see next spread), which carried off first honors, was called by one juror "very, very sensitive and charming, with more feeling than almost any other picture there." Fritz Glarner's Relational Painting Number 79, second-prize choice, demonstrated that a Mondrian disciple...
According to Maclver, a considerable portion of both volumes has already been drafted...