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...postwar reconstruction of carpetbaggers and night riders, but the 1941-type reconstruction of rich Yankee gentlemen who buy up crumbling Southern estates, restore them to their ante-bellum splendor, are thoroughly snubbed for their pains by clannish, unreconstructed neighbors. The neighbor in this case is Stonewall Elliott (Fred MacMurray), who lost his ancestral home when the bank foreclosed and sold it to a young Manhattan sportsman, Norman Williams (Stirling Hayden). They become two corners of a four-cornered triangle. The other two are Stoney's wandering wife, a man-crazy flibbertigibbet (never seen in the flesh) who once...

Author: /time Magazine | Title: The New Pictures, Feb. 17, 1941 | 2/17/1941 | See Source »

Rangers of Fortune (Paramount) is a dreamy description of three restless roustabouts who cut many a lusty caper in the Great Southwest during the '70s. One is a down-at-the-heel ex-West Pointer (Fred MacMurray), one a sharpshooting, mustachioed Mexicano (Gilbert Roland), one a leather-faced old pug (Albert Dekker). Together they perform the most prodigious cinema escapades since the wall-scaling, sword-swishing days of Douglas Fairbanks-escaping from a firing squad, terrorizing a small frontier village in Texas, erasing a horde of badmen who murdered the grandfather of a hardy little moppet (Betty Brewer) whom...

Author: /time Magazine | Title: Cinema: The New Pictures: Sep. 30, 1940 | 9/30/1940 | See Source »

Only attempt to part the war clouds was the opening of Don Dickerman's Pirate's Den around the corner from Slapsie Maxie Rosenblooms screwball restaurant. Under festoons of fish nets and anchor chains Stockholders Rudy Vallee, Fred MacMurray, Errol Flynn, Jimmie Fidler (in pirate costume), Johnny Weissmuller, Ken Murray (in pirate costume) and others fed (at $7.50 a head) decorative celebrities and the prominent press. Among the 400 eaters: Hearst's Polly Prying Louella Parsons, Columnists Ed Sullivan and Jimmie Fidler, Comic Jack Benny, Ventriloquist Edgar Bergen (his balding head swathed in a pirate...

Author: /time Magazine | Title: Cinema: Hollywood & War | 6/10/1940 | See Source »

...very unfortunate event. Otherwise it is an amiable historical biography of Robert Fulton, who tries and tries and tries and finally produces a steam boat (without sails) that MOVES! Richard Green is acting more like Robert Taylor in every picture--and hence is under suspicion. But Fred MacMurray gives one of his better performances. Not a bad picture, on the whole, but not a terribly good one, either...

Author: NO WRITER ATTRIBUTED | Title: The Moviegoer | 5/13/1940 | See Source »

...have been built to the original plans, and Hollywood shows years of experience in reproducing the saloons and docks of New York of every age. Alice Faye feels right at home in her own tavern, having at last become an owner. Her thwarted love for Fulton descends upon Fred MacMurray, an uninspired but satisfactory waterfront bum who turns into a magnificent shipbuilder. Harriet Livingston, in the delightful person of Brenda Joyce, is the recipient of the best remark of a fair script, when Fulton, self introduced, says "Miss Livingston, J presume." Incidentally, they get married...

Author: NO WRITER ATTRIBUTED | Title: "THE MOVIEGOER | 3/1/1940 | See Source »

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