Word: macnicol
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Dates: during 1980-1989
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...that pileup of "onceagains" finally undoes this sequel. For if writers Ramis and Aykroyd have slightly altered the circumstances of their central figures, they have not bothered to develop their characters any further. Dana, for example, has a baby and a tangle-tongued boss -- marvelously played by Peter MacNicol -- who is madly in love with her. The ghostbusters themselves are suffering, to good comic effect, from celebrity burnout and municipal ire over their failure to clean up the mess that they made the last time they saved the city...
...macho of bureaucrats who react to caution as a sign of deficient manhood. Reddin's cutting strokes are more often subtle, as in brief, oddly sympathetic glimpses of Castro and Richard Nixon. The central character is an eager, puppyish former Yalie tapped to train the invaders in communications. Peter MacNicol--best known as the neophyte writer Stingo in the film Sophie's Choice--is brilliant in the part, shifting from gawky innocence to sadder but wiser recollection and infusing it all with the self- intoxicating energy of the New Frontier. He is ably assisted by Polly Draper as a needling...
...book, the young Southern narrator, Stingo (Peter MacNicol)--evidently based on Styron himself learns only gradually that the beautiful woman who lives upstairs in his boardinghouse is haunted by a terrible past. Extended flashbacks, shot on location in Europe with English subtitles, slowly unfold the extent of that terror up to Sophie's final and tragic "choice," so that the viewer's reactions parallel Stingo's own. Longer than the conventional flashback, these sequences demonstrate Pakula's scrupulous care in reproducing Styron's tone. An actual concentration camp in Yugoslavia forms the background, and Meryl Streep as Sophie appears with...
SUCH GAPS DISTRACT from what is otherwise an overwhelming flood of color and emotion. Streep, Kline and MacNicol, all marvels of casting, create a triangle of almost staggering chemistry. While the abrupt revelation that Nathan is a schizophrenic--crucial to the plot--does not satisfactorily account for Kline's flamboyant magnetism, that magnetism nevertheless is riveting. Kline apes MacNicol's Southern accent and frolics through extravagant pranks and outings while Streep watches him in mute, almost abject admiration: not a flicker of an eyelid spoils the effect...
...Auschwitz, the beautiful woman with a guilty secret, twice torn between two people she dearly loves, first in Poland, then in New York. Her catastrophic past has given her mercurial moods: giddy with ecstasy at the antics of her lover Nathan (Kevin Kline) and her puppy pursuer Stingo (Peter MacNicol), then darkly ruminative as memory provides her with waking nightmares. Even as sketched by Styron in overwrought prose, Sophie wove a spell over millions of readers...