Word: mad
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Dates: during 1990-1999
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Finally, there was another, more intriguing, factor. When the Lewinsky story broke, Clinton played a dummy hand, sitting out the first 48 hours in shock, while his wife plotted a way out. But this time, if the White House can be believed, Clinton was just plain mad. On Saturday night he and his Camp David houseguests watched The Boxer, a dense drama of personal and political pain in Northern Ireland. Then he got on the phone with the trashman, James Carville, who in 1992 ran the war room and commandeered the phrase "speed kills" to express the belief that when...
Congratulations on your 75th! The reasons for your success are twofold [75TH ANNIVERSARY ISSUE, March 9]: you consistently corral great writers, and you get away with telling people what to think without making most of them mad--no mean feat in this, the most independent-minded country in the world. I don't like your new, light, jazzy format. But you can't fight success. I'll be reading TIME, no doubt, for years to come. JOEL LAYNE Boise, Idaho...
...MAD: "His face flushed...Clinton said, "I want to say one thing to the American people...I did not have sexual relations with that woman, Ms. Lewinsky." --Patriot Ledger...
...point in his deposition it is hard to tell whether Clinton is making one of his paper-thin distinctions or having trouble keeping his stories straight. When he denied having a sexual relationship with Browning, he said she "was mad at me because I'd never been her lover, especially since she thought I was now Gennifer Flowers' lover, and...I told her Gennifer Flowers' story was bogus--it's very hard to prove your innocence in a case like this, but that we'd done it." Just four pages on, however, Clinton admitted his relationship with Flowers hadn...
...logistics of having so many characters half-mad and hiding from each other must have been a nightmare to coordinate. Nevertheless, the Loeb Ex production does a splendid job, especially considering the small performance space with which they have to work. Set Designer John Gordan '01 manages to create a maze of fourdoorways and an onstage discovery space throughwhich the actors may roam--and all within theconfines of a theater the size of a Harvard commonroom. Although the audience near the back issometimes forced to stand in order to see some ofthe downstage scruffling, it is more a testamentto...