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...state legislature wants to change the Constitution, they must present the modification, in the form of a referendum, to the voters for passage. In 24 (mostly western) states, however, voters who collect enough signatures are able to stick their initiative on the ballot - and then campaign like mad to get it passed...

Author: /time Magazine | Title: Ballot Initiatives: The Real Nitty-Gritty Vote | 11/6/2000 | See Source »

...Fighters are content for now with channeling their anxieties into mad energy onstage, which explains why they're swinging through Massachusetts this coming week. Whether their sound will continue to evolve in the studio remains to be seen...

Author: By Stacy A. Porter, CONTRIBUTING WRITER | Title: Foo Fighting: A preview of the upcoming Foo Fighters concert | 11/3/2000 | See Source »

...doors. Costumes and make-up accentuate the distinction between a humanized George III and his puppet-like court. While most actors are fittingly powdered, wigged and decked up in period costumes, the king is shown alternatively in a nightgown or a straightjacket, with hair awry. The image of the mad king is an obvious echo of King Lear; the analogy between the two scenarios being played up in this production. In dcor, effects and characterization, Hood manages to convey his vision of Bennett's play as a story as epic and dramatically versatile as King Lear, but twice...

Author: By Irina Serbanescu, CONTRIBUTING WRITER | Title: 'George III': Mad to the Bone | 10/27/2000 | See Source »

...interesting conundrum, the impracticality of having a character go mad. Bennett went through several drafts of Madness before he developed a subplot compelling enough to take the place of the king's personal tragedy in the second act of his play. A descent into insanity and a recovery from it are both dramatically tenable situations, but the state of madness itself leaves little room for engaging action. Hence the emphasis on affairs of state and the line of succession which fills the later parts of Bennett's playelements which were absent in his early drafts...

Author: By David Kornhaber, CRIMSON STAFF WRITER | Title: Stage Direction: Entering the Theater of Insanity | 10/27/2000 | See Source »

...that playwrights as talented as Bennett and Robertson must resort to such shifts in focus in order to tell the simple and compelling story of a man or woman gone mad? Countless novels, from Notes from Underground to One Flew Over the Cuckoo's Nest, depict the inner lives of deeply troubled individuals, as do untold numbers of movies. But novels and movies share a subjectivity that drama categorically lacks. Both can get inside the heads of their characters in a way that no piece of theater...

Author: By David Kornhaber, CRIMSON STAFF WRITER | Title: Stage Direction: Entering the Theater of Insanity | 10/27/2000 | See Source »

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