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Word: madame (lookup in dictionary) (lookup stats)
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...Call Me Madam. Big Broadway musical, with Ethel Merman as a lady ambassador to "Lichtenburg," but as, fortunately, no lady (TIME...

Author: /time Magazine | Title: The Theater: Best Bets on Broadway | 3/5/1951 | See Source »

...Broadway jargon it speaks so well, Guys and Dolls (TIME, Dec. 4) is now "the hottest ticket in town." (Runners-up: South Pacific, Call Me Madam). Because 50 performances of the hit musical were sold out to theater parties before it opened, even the Manhattan ticket brokers are having a hard time getting tickets for Guys and Dolls; for once, they are not much better off than the ordinary playgoer. Last week, to meet the demand, the show's producers went to an extreme that is unprecedented on Broadway: they began selling tickets as far as a full year...

Author: /time Magazine | Title: The Theater: Hot Ticket | 3/5/1951 | See Source »

...months ago, Russell was just one more ambitious young singing actor with wavy hair and a pleasant voice. When Nype was signed for the juvenile lead in Call Me Madam, Co-Author Russell Grouse got him to put aside his contact lenses and put on horn rims. For the show's sake, willing Russell Nype has had his hair mowed down to a studious stubble. On opening night, he and Ethel Merman stopped the show with the hit duet, You're Just in Love, have been stopping it ever since...

Author: /time Magazine | Title: Music: Horn-Rimmed Harvey | 3/5/1951 | See Source »

Tickets to such Broadway hit musicals as South Pacific, Guys and Dolls and Call Me Madam are still harder to get than rush-hour seats in the Manhattan subways. But, for roughly the price of a ticket, a theater fan anywhere can hear the shows tunes just as they sound from the stage without stirring from the living-room sofa...

Author: /time Magazine | Title: The Theater: Actors in the Living Room | 2/12/1951 | See Source »

...pace ever since (Carousel, Call Me Mister, Annie Get Your Gun). But the competition is furious. Producers' royalties have shot up to 10% per record, and producers switch unpredictably to different labels as they bring out new shows. RCA Victor cinched the rights to Call Me Madam by financing the musicomedy for $225,000, but had to do without Star Ethel Merman, whose recording contract committed her to do the songs for Decca...

Author: /time Magazine | Title: The Theater: Actors in the Living Room | 2/12/1951 | See Source »

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