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Ginn's production employs more conventional mystiques, making simple and obvious reversals of sexual roles: Madame Irma's "visitors" are played as vain effeminates, sexless transvestites who, when gathered together in the last act, remind one of the opening of Macbeth played in drag. Similarly, Irma is conceived as the Madam of an answering service, a nervous dike devoid of femininity and consequent feminine insight. This is supported by the text often, particularly in the dialogue with Carmen, but it annihilates any credibility to her stated relationship with Georges, the chief of police. Genet's contradictions work better...

Author: By Tim Hunter, | Title: The Balcony | 7/23/1968 | See Source »

...Prudence (Deborah Kerr) has hardly been faithful herself, he substitutes aspirin for her birth control pills in hopes that she'll become pregnant by her lover so he can sue for divorce. Meanwhile, the Hardcastle maid decides to yield to her boy friend's advances and swipes Madam's pills for protection...

Author: /time Magazine | Title: Cinema: Prudence and the Pill | 6/14/1968 | See Source »

...goes to the city where she becomes a hardened prostitute. But a hole in the ceiling of her working-room (like the hole her lover and husband were digging, get it?) reminds her of her misdeed and she can't be a good prostitute. Her madam often casts scowering looks at Lora, and tells her to "work like the other girls or get out." A whorehouse, very obviously, is not a home...

Author: By Andrew Jamison, | Title: The Female | 3/23/1968 | See Source »

...only vicariously, the agonies we ask them to endure daily? Cowards come in many forms-the most significant number not being those retreating from the heat of battle but those too cowardly to face the reality of what that battle entails in terms of human lives. Those pictures, madam, are statistics, in graphic form, and if they do not, indeed, "color the public's view of this war," then American morality cannot be salvaged...

Author: /time Magazine | Title: Letters: Mar. 8, 1968 | 3/8/1968 | See Source »

ETHEL somebody...took Broadway by storm in a show called Girl Crazy the Gershwin boys wrote, did all right in Anything Goes and Du-Barry Was a Lady, made a palpable hit in Annie Get Your Gun, bowled'em over in Call Me Madam...but I can't for the life of me remember her name. Anyway, she played Madame Rose in the original Gypsy and I never thought anyone would have the nerve to replace her. But this Tolentino kid's all right. So's the show...

Author: By James Lardner, | Title: Gypsy | 3/5/1968 | See Source »

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