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...than one-third of the movie-going market from competition such as Bruce Willis' Last Man Standing. The characters played by Goldie Hawn, Diane Keaton and Bette Midler are like the Furies crossed with the Three Stooges--college friends spurned by their husbands in middle age who plan a madcap payback. But for all the one-liners and pratfalls, the movie is more than satiric fluff. Like Thelma & Louise, which five years ago set audiences to cheering when Geena Davis and Susan Sarandon blasted a trucker's rig to smithereens--or last year's Waiting to Exhale, which had women...

Author: /time Magazine | Title: HELL HATH NO FURY | 10/7/1996 | See Source »

...niche with their first film, Delicatessen, the story of cannibalism, troglodytes, circus performers, and, of course, love. But, with The City of Lost Children, they push their own style to the current technological limits. Indulging in kooky comic-book shenanigans that makes Dick Tracy look downright lifeless, the madcap directors pulled out all the stops to create a modern-tale fairy tale on a par with Pinocchio. In fact, the frenetic energy created by the movie what Disney should have been trying to create for years instead of slapping out syrupy sing-along goo like Pocahontas...

Author: By Dan Williams, | Title: City of Lost Children Offers a Feast of Surreal Treats for the Eyes | 2/1/1996 | See Source »

Lemmon's character goes from being the same and sober one of the pair--Curtis is the flamboyant, womanizing risk-taker--to a state of madcap abandon. There's a gleam in his eyes as he shakes a pair of maracas, or holds a rose between his teeth during a tango with Brown, that is nothing short of priceless. The tango scene is one of the greatest in comedy film history, and it works because of Lemmon...

Author: By Joel Villasenor-ruiz, | Title: Lemmon Heats Up ARTS FIRST | 4/27/1995 | See Source »

...madcap emotional fumbling of the first act gives way to a more serious, slightly more disillusioned second act. Two years have passed; Trina and Mendel are married; Whizzer and Martin have broken up; and the "lesbians from next door" are always running in and out. It is the year of Jason's Bar Mitzvah, and the characters all seem to hope that this one pivotal event will smooth over their unstable lives. Whizzer, however, shows up again, complicating everything by getting back together with Martin, aggravating Trina, and, finally, falling mysteriously...

Author: By Joyelle H. Mcsweeney, | Title: Quirks Make for Fabulous Falsettos | 3/16/1995 | See Source »

...OPEN THE CHAMPAGNE and toast Lisbon's Teatro Politeama. The once shabby 795-seat theater has been delightfully done over, and is now the ornate showplace for Portugal's first homegrown musical. To the Portuguese, who daily see new headlines about political corruption, Damned Cocaine (Maldita Cocaina) is less madcap romp than pointed satire. The Roaring Twenties return, with characters modeled on colorful real-life denizens of that era, and the setting is Maxim's, then a well-known Lisbon night spot. Through its doors parade a fascist army general with an eye for beautiful women, a count...

Author: /time Magazine | Title: Sightings | 6/27/1994 | See Source »

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