Word: madcapping
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Four's A Crowd (Warner Bros.) includes a trunkful of characters now fashionable in screen comedies: a madcap millionaire (Walter Connolly) with a passion for toy trains; his lovely granddaughter (Olivia de Havilland), so bored with mercenary suitors that she longs to meet a man who hates her; a livewire pressagent (Errol Flynn), who organizes a newspaper campaign to destroy the millionaire's good name, hoping thus to get hired to restore it; a dim-witted publisher (Patric Knowles) and his highly intelligent star reporter (Rosalind Russell), who are in love respectively with the heiress and the pressagent...
Blonde, chubby Edmée, Lady Owen, whose late stepson Reginald was ex-Minister to Denmark Ruth Bryan Owen Rohde's first husband, turned up in Manhattan, gaily prattled to newshawks about her madcap life. Highlights: 1) a prison term for the shooting of a French doctor's wife; 2) a romance with the late mysterious octogenarian Munitions Maker Sir Basil ("Arms and the Men") Zaharoff; 3) a trip to British Honduras to call on an unknown man who had written her a letter. Explained Lady Owen: "I was very eccentric...
Laramie restrains his itching trigger finger until all the cattle on the ranch have been stolen and a madcap Lindsay girl abducted. Then the slaughter is terrific. Partly confirming Professor Whippie's thesis are strange philosophical asides that interrupt the gun play and suggest that even popular romancers are sometimes troubled by the moral of their tales. Staring at the dangling body of a rustler he has just lynched, Laramie reflects: "It [lynching] was a common practice, inaugurated ... in order to intimidate cowpunchers going wrong. Not greatly had it succeeded...
...corner of the ring sat the buffoon of heavyweights, U. S. ex-Champion Max Baer, sometimes described as Madcap Max of the faint heart, now billed as attempting a serious comeback. In the other corner sat the heavyweight champion of the British Empire, Welshman Tommy Farr, loser to Joe Louis and Jim Braddock in his two U. S. fights, clumsy but courageous, now billed as the owner of a newly-developed punch. The odds were 2-to-1 on Farr, who had beaten Baer in London eleven months...
...tightly knit plot and a due sense of seriousness in your drama "The Dog" is not for you. If, on the other hand, you are attracted by a madcap romp around contemporary Europe, including Austrian (?) revolutions ("We have them every fortnight now"), a German lunatic asylum ("Everything for the leader"), and a London cabaret ("British love is the best"), by all means go to the Copley. Don't lot the fact that "The Dog" is supposed to be propaganda for rugged communism frighten you away either. The propaganda is there all right, if you want to look...