Word: madchen
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Dates: during 1960-1969
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...which de los Angeles seems recently to have developed over the realm of German lieder. Her exuberant performance of Schubert's Mein! made me forget for a moment that the songs from Die Schone Mullerin and hardly suited to a woman's voice and manner. Der Tod und das Madchen, on the other hand, conveyed such a deep sense of both the terror and the serenity of death, that it was with a bit of a shock that I recalled de los Angeles' remark to her accompanist Gerald Moore in his book Am I Too Loud? When he arrived backstage...